论欣德米特和声理论体系在交响曲《画家马蒂斯》中的体现

发布时间：2018-04-23 00:24

本文选题：欣德米特 + 和声理论体系　；参考：《音乐创作》2017年03期

【摘要】：欣德米特是20世纪具有代表性的著名作曲家、理论家。他自创的作曲技术理论体系,在作曲理论技术研究领域具有重要的地位。交响曲《画家马蒂斯》是欣德米特从同名歌剧中派生出一部交响作品,堪称其代表作。本文从欣德米特在《画家马蒂斯》的创作实践中,如何充分体现欣氏理论体系中的和声理论,譬如和弦构造、和声起伏、两部骨架等。在作品中某些表现特色是其理论体系中未涉及的,比如配器,是他的和声体系和音色表现要求的具体结合,更富有启示意义。本文试图论述欣德米特将理论运用于作品,在作品中体现出理论的特点,揭示理论与实践的统一的具体途径。
[Abstract]:Himdemith is a famous composer in the twentieth Century, the theorist. His own composing theory system has an important position in the field of composing theory and technology. The symphony < painter Matisse > is Himdemith's Symphony from the same name opera, which is called his masterpiece. This article from Himdemith in the painter horse In his creative practice, how to fully embody the theory of harmony in the theory of Hin's theory, such as the harmony of chords, harmony and fluctuation, and two skeletons. Some of the characteristics in the works are not involved in the theoretical system, such as orchestration, which is the concrete combination of his harmony system and the requirement of tone color. This article tries to be more enlightening. This paper discusses Himdemith's application of theory to his works, manifests the theoretical characteristics in his works, and reveals the concrete ways of the unity of theory and practice.

【作者单位】：太原师范学院音乐系;

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