【打枣竿】在云南的流变
发布时间:2018-04-25 07:31
本文选题:打枣竿 + 罗江怨 ; 参考:《人民音乐》2016年05期
【摘要】:正一、【打枣竿】在中原地区的产生与发展【打枣竿】也称【打草竿】【打枣杆】等,是明清时期非常流行的时尚"俗曲"曲牌,也被当时许多文人墨客所青睐,明代的卓珂月甚至认为:"庶几吴歌、【挂枝儿】【罗江怨】【打枣竿】【银纽丝】之类,为我明一绝耳。"(1)王骥德也说:"至北之滥流而为【粉红莲】、【银纽丝】【打枣竿】,南之滥流而为吴之【山歌】、越之【采茶】诸小曲,不啻郑声,然各有其致……小曲【挂枝儿】即【打枣竿】,是北人长技,南人每不能及。"(2)沈德符也对当时【打枣竿】的流行做了记载:"比年以来,又有【打枣竿】
[Abstract]:First, the emergence and development of jujube poles in the Central Plains, also known as "straw poles] [jujube poles], were very popular" popular "folk songs" in the Ming and Qing dynasties, and were also favored by many literati at that time. Zhuoke month in the Ming Dynasty even thought: "Shuji Wu songs, [hanging branches] [Luojiang grudges] [beating jujube poles] [Yinnusi], and so on, for me." "Wang Jide also said:" to the north, it is [pink lotus], [Yinnusi] [playing jujube], "to the north, it is [pink lotus], [Yinnusis] [playing jujube]." The overflowing of the South for Wu's "folk songs", Yue [tea] songs, is Zheng Sheng, but each has its own. Xiaoqu [hanging branches] that is, [beating jujube] is a long skill of the north, and the Nanren can't reach it. "Shen Defu also recorded the popularity of" beating jujube poles "at that time:" since the last year, there have been [jujube poles]. "
【作者单位】: 南京艺术学院;云南民族大学艺术学院;
【分类号】:J607
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1 朱植;北雁南飞─—杂谈“打枣竿”[J];民族艺术研究;1996年03期
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