阿拉木图:在乐器博物馆聆听中亚之声

发布时间：2018-04-25 19:08

本文选题：哈萨克斯坦 + 乐器　；参考：《民族艺术》2017年02期

【摘要】：乐器不仅仅是一个用来表述"音乐"的发声器,它们有着不同的使用功能,又被不同身份的人使用,它们是人类情感、想象力的表达。考察它们,有必要了解谁在奏、为谁奏、为何奏、怎样奏,进而触摸人、民族和国家的历史。音乐人类学学者在阿拉木图"哈萨克民间乐器博物馆"的参访与思考,在与哈萨克斯坦以及中亚音乐的近距离接触中,感受亚欧乐器文明之间从未休止的接触、乐器交流中的制度性演变,并及"心与物"相关联的丝路之声在当代的回响。
[Abstract]:Musical instruments are not only a vocal device used to express "music". They have different functions and are used by people of different identities. They are expressions of human emotion and imagination. To examine them, it is necessary to know who is playing, for whom, why, how, and then touch the history of people, nations and nations. Music anthropologists in Almaty "Kazakh Folk Musical Instruments Museum" visit and thinking, in close contact with Kazakhstan and Central Asia music, feel the Asian-European musical instrument civilization between the endless contact. The institutional evolution of musical instrument communication, and the echo of the "heart and thing" related voice of the silk road.
【作者单位】：上海音乐学院音乐学系;上海高校人文社科重点研究基地、上海音乐学院"中国仪式音乐研究中心";中国传统音乐学会;国际传统音乐学会(ICTM);
【分类号】：J62

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