巴比特《第三弦乐四重奏》的和声研究

发布时间：2018-04-27 07:01

本文选题：序列 + 和弦选择　；参考：《上海音乐学院》2017年硕士论文

【摘要】：美国作曲家米尔顿·巴比特是战后序列主义音乐的重要代表人物,同时,他也是一个数学家,具有严密的逻辑性数理思维模式,所以,在他的创作阶段中,既继承了勋伯格的六音组分割技术,也利用自己在数学上的独特天赋,将这种分割技术做进一步的规则与不规则的分割发展,另外,他不仅从音高上安排序列形态,还从节奏和力度上设计参数进行排列,从而形成整体序列的创作技法,具有其独特的音乐风格。本文研究对象是巴比特的《第三弦乐四重奏》,这部序列作品写于1970年,这一时期是巴比特音乐创作的第二时期,其创作风格特点主要体现在发展序列分割技术,且改变某些音组即内部音级出现的先后顺序,这样既以增加乐曲序列分割的多样性,使十二个音的排列组合更有趣味,也增加了音响效果上的多变性。同时,他熟练第掌握了勋伯格的六音组集合配套的写作技术,并在实践中证明了这一点。除此之外,笔者从和弦材料和横向线条及其与和声关系等方面的研究发现巴比特对于序列之间在纵向上形成的和弦与横向旋律动机的形成特点中,小二度和三全音是其主要构成因素。通过对序列的选择逻辑、序列的整体布局与相互关系研究和序列的潜在调性的探究,笔者找到其序列的选择逻辑,并从整体上发现序列紧张度的分布趋势。虽然巴比特的音乐美学观念属于自律论的音乐美学观念的范畴内,但巴比特的音乐创作中并没有完全脱离感性因素,这也体现在这部作品中巴比特对三全音和小二度的运用上,巴比特所形成的在不完全抛除情感的前提下,重视音乐的纯粹美、逻辑美和形式美的创作思想和美学理念值得我们学习和借鉴。
[Abstract]:Milton Babbitt, an American composer, is an important representative of postwar sequentialism music. At the same time, he is also a mathematician with a strict logical mathematical thinking pattern. He not only inherited Schoenberg's six-tone group segmentation technique, but also made use of his unique mathematical talent to further develop this segmentation technique in terms of rules and irregular segmentation. In addition, he not only arranged sequential forms from pitch, The design parameters are arranged in rhythm and intensity to form the creative technique of the whole sequence and have its unique music style. The object of this study is Babbitt's the third string Quartet, which was written in 1970. This period is the second period of Babbit's music creation, and its creative style is mainly reflected in the development of sequence segmentation technology. And changing the sequence of some sound groups, that is, the appearance of internal sound levels, not only increases the diversity of music sequence segmentation, makes the arrangement and combination of twelve sounds more interesting, but also increases the variability of sound effect. At the same time, he mastered Schoenberg's six-syllable set of writing techniques, and in practice proved this. In addition, from the aspects of chord material and transverse lines and their relationship with harmony, the author finds that Babbitt has the characteristic of forming the motive of chord and transverse melody in the longitudinal formation between sequences. Square and triple tone are the main factors. By studying the selection logic of sequences, the overall layout and interrelation of sequences, and the potential tonality of sequences, the author finds out the selection logic of sequences, and finds out the distribution trend of the tension degree of sequences as a whole. Although Babbitt's aesthetic concept of music belongs to the category of self-discipline musical aesthetics, Babbitt's music creation is not completely separated from perceptual factors, which is also reflected in Babbitt's use of triple tone and second order in this work. Under the premise of not completely dismissing emotion Babbitt pays attention to the pure beauty of music the beauty of logic and the aesthetic idea of form which are worthy of our study and reference.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.1

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