贵州普定县仙马村音乐文化现状研究

发布时间：2018-05-03 03:14

本文选题：仙马村 + 苗族　；参考：《贵州民族大学》2017年硕士论文

【摘要】：仙马村位于贵州省安顺市普定县的东北部猴场苗族仡佬族乡,有大花苗和歪梳苗两个苗族支系以及少量汉族,是一个贫困的少数民族村落,但经济条件落后并没有影响到仙马村精神文明的发展。由于社会历史因素的影响,仙马村的苗族同胞有着相同的信仰---信奉基督教,也保留着一些各自民族的传统文化。在基督教传入130多年之后的今天,仙马村依然存在着苗文化,汉文化及以基督教文化为代表的西方文化三种文化共存的混合文化现象。这是社会发展的时代背景下苗族同胞自主选择的结果,这种原生文化与后来的异质文化共存的社会文化自一百多年前开始就深深地影响着仙马村的音乐文化直到今天。仙马村的苗族传统音乐取自于苗族同胞长久以来的生活和劳动,他们通过音乐表达情感和传递信息。二十世纪初基督教传入该地区后,基督教音乐文化就不断地与苗族传统音乐文化相互碰撞和交融,逐渐完成了基督教音乐在仙马苗族地区的本土化,从而成为当下仙马村音乐文化的重要组成部分。而在以汉文化为主的社会政治、经济大环境里,今天仙马村的文化风俗习惯、教育、生产等社会生活的各个方面,或多或少都有因为汉文化的进入而受到影响,汉文化也因此成为了仙马村音乐文化的一部分。伴随现代商业文明的进步和发展,人们的思想观念有了很大的改变,各种复杂因素的相互作用,也在某种程度上影响到了这个地理位置偏僻的苗族村寨,仙马村音乐文化的传承和发展遇到了前所未有的困难。笔者通过大量文献的查阅和对仙马苗族村落进行多次实地调查,试图分析本地区音乐文化的现状、分类、艺术形态和传承等,希望能够更加细致的阐述本地区音乐文化的风貌和内含,并对濒临消失的苗族传统文化提出相应的传承建议。论文将从以下几个方面进行研究分析:第一章为绪论,通过阐述本文的选题依据、研究方法和研究价值等方面对仙马村音乐文化的国内外研究现状进行梳理和概括,以便为后面的音乐文化研究作理论铺垫。第二章为仙马村音乐文化环境概况,分别从自然和人文两个方面对仙马村音乐文化生存所需的外部环境进行描述和概括。第三章为仙马村音乐文化类型与音乐分析,从传统音乐和宗教音乐这两个方面对仙马村的音乐文化进行梳理和总结,并对这两种音乐类型的音乐艺术形态做出分析,分别从音乐织体、记谱方式、演唱方式等几个方面分析这两种音乐文化的音乐形态特征。第四章为仙马村音乐文化现状探析,先对仙马村音乐文化的形成原因进行分析,再指出仙马村传统音乐文化发展面临的困境。第五章为论文的结语,对仙马村音乐文化的发展问题提出自己的建议,然后对仙马村的音乐文化现状做一个全面的总结。
[Abstract]:The village of Xianma is located in the village of the Miao people of the Miao nationality of the Miao nationality in the northeast of Puding County, Anshun City, Guizhou Province. There are two branches of the Miao nationality, the Big Flower Miao and the Miao Miao, as well as a small number of Han people. However, the backward economic conditions did not affect the development of spiritual civilization in Xianma Village. Because of the influence of social and historical factors, the Hmong people in Xianma Village share the same belief---to believe in Christianity, and also retain some traditional cultures of their respective nationalities. Today, more than 130 years after the introduction of Christianity, there is still a mixed cultural phenomenon of Miao Culture, Han Culture and Western Culture represented by Christian Culture in Xianma Village. This is the result of the independent choice of the Hmong compatriots under the background of social development. This kind of social culture, which coexisted with the later heterogeneous culture, has deeply influenced the music culture of Xianma Village since more than a hundred years ago. The traditional music of the Miao nationality in Xianma Village is derived from the long life and labor of the Miao people, through which they express their feelings and convey information. After Christianity was introduced into the area at the beginning of the 20th century, Christian music culture collided with and blended with the Miao traditional music culture, and gradually completed the localization of Christian music in the Sima and Miao area. In order to become an important part of the current Xianma Village music culture. In the social, political and economic environment dominated by Han culture, today's Xianma Village's cultural customs, education, production and other aspects of social life are more or less affected by the entry of Han culture. Han culture has therefore become a part of the music culture of Sima Village. With the progress and development of modern commercial civilization, people's ideas have been greatly changed, and the interaction of various complex factors has also affected this remote Miao village to some extent. The inheritance and development of Xianma Village's music culture has encountered unprecedented difficulties. By consulting a large number of documents and investigating the villages of Xianma and Miao nationality, the author tries to analyze the present situation, classification, artistic form and inheritance of music culture in this area. It is hoped that the style and content of the music culture in this area can be elaborated in more detail, and the corresponding suggestions for inheriting the Miao traditional culture which are on the verge of disappearing can be put forward. The thesis will carry on the research analysis from the following several aspects: the first chapter is the introduction, through the elaboration this article selected the topic basis, the research method and the research value and so on aspect carries on the combing and the summary to the Xianma village music culture domestic and foreign research present situation. In order to make a theoretical foundation for the study of music culture. The second chapter describes and generalizes the external environment for the existence of Xianma village music culture from the aspects of nature and humanity. The third chapter is the music culture type and the music analysis of Xianma village, from the traditional music and the religious music these two aspects carries on the comb and the summary to the Xianma village music culture, and makes the analysis to these two kinds of music types music art form, This paper analyzes the music form characteristics of the two kinds of music culture from the aspects of musical texture, recording style and singing way. The fourth chapter is the analysis of the current situation of the Xianma village music culture, first analyzes the causes of the formation of Xianma village music culture, and then points out the difficulties faced by the development of Xianma village traditional music culture. The fifth chapter is the conclusion of the paper, put forward his own suggestions on the development of the music culture of Sima Village, and then make a comprehensive summary of the current situation of the music culture of Sima Village.
【学位授予单位】：贵州民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607

【参考文献】