谢苗诺夫巴扬手风琴独奏《奏鸣曲第三号》演奏技术研究

发布时间：2018-05-08 05:58

  本文选题：谢苗诺夫 + 巴扬手风琴　； 参考：《上海音乐学院》2017年硕士论文

【摘要】：维切斯拉夫·谢苗诺夫(Viatcheslav Semionov)(1946年3月29日—)是当代巴扬手风琴音乐领域的杰出代表人物之一。谢苗诺夫集作曲家、演奏家、教育家为一身,同时也是一名诗人、思想家、艺术家。其巴扬手风琴独奏作品《奏鸣曲第三号》于2014年出版,是谢苗诺夫近年来创作的较为大型的独奏作品。此作品专门献给他的学生尤里·希什金(Yuri Shishkin),作品中集合了谢苗诺夫在创作中许多常用的写作手法,是一首全面体现谢苗诺夫创作技巧和演奏技法的作品。笔者在研究生学习阶段研习了这部作品,也是中国第一个演奏该作品的巴扬手风琴演奏者;并曾多次在比赛和音乐会中演奏该作品。为完成硕士研究生学业,笔者将结合自身的演奏实践,力图对作品常规演奏和特殊演奏技术进行研究。本论文共分为三个部分:第一部分:引言。主要介绍笔者选择《奏鸣曲第三号》作为硕士学位论文研究对象的目的和意义,并对国内外研究现状进行梳理,对作品有一个总体的把握。第二部分:正文。共分为两个章节。第一章:谢苗诺夫、希什金与《奏鸣曲第三号》。介绍谢苗诺夫及其对《奏鸣曲第三号》的创作构思以及希什金与《奏鸣曲第三号》的关系。第二章:《奏鸣曲第三号》演奏技术分析。主要对手指触键、风箱运用、变音器运用等演奏技术方面进行分析。第三部分:结论。通过正文部分的研究,尝试对论文中所出现的内容进行总结。
[Abstract]:Veceslav Semyonov, Viatcheslav Semionovan (March 29, 1946) is one of the outstanding representatives of contemporary Bayan accordion music. Semyonov, a composer, performer and educator, is also a poet, thinker, and artist. Bayan accordion solo, Sonata No. 3, published in 2014, is a large solo by Semyonov in recent years. This work is dedicated to his student Yuri Shishkini. It is a collection of many common writing techniques used by Semyonov in his creation. It is a comprehensive embodiment of Semyonov's creative skills and performance techniques. The author studied this work at the graduate school stage and was the first Chinese accordion player to play it, and has played the work in competitions and concerts many times. In order to complete the master's degree, the author will try to study the routine and special performance techniques of the works according to his own playing practice. This thesis is divided into three parts: the first part: introduction. The author mainly introduces the purpose and significance of choosing Sonata No. 3 as the research object of the master's degree thesis, combing the present research situation at home and abroad, and having a general grasp of the works. Part two: text. It is divided into two chapters. Chapter one: Semyonov, Ashkin and Sonata No. 3. This paper introduces Semyonov and his creative conception of Sonata No. 3 and the relationship between Hishkin and Sonata No. 3. The second chapter: the performance technique analysis of Sonata No. 3. The main opponent touch key, bellows use, the use of phonograph and other technical aspects of performance analysis. Part three: conclusion. Through the text part of the study, try to summarize the contents of the paper.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.3

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本文编号：1860235