声乐作品《梅兰芳》的分析及演唱处理

发布时间：2018-05-08 08:28

本文选题：民族声乐 + 歌曲《梅兰芳》　；参考：《四川师范大学》2017年硕士论文

【摘要】：梅兰芳是我国近代著名京剧大师,在声乐作品《梅兰芳》中,本文主要从创作背景与一般概况出发,对歌曲的曲式、旋律、唱腔、伴奏等特点进行分析,揭示其中的演唱特点与戏曲审美特点。本文认为,声乐作品《梅兰芳》中的京剧味道,需要根据个人情况具体设计。在这首作品的表演中,不能简单的照搬传统京剧的唱腔、唱法,这些是远远不能够胜任其中的深层内涵表达的;同时也认为不断的对作品内涵进行诠释的过程中,也需要推动演唱者对其演唱效果进行更加富有变化性的探索。一方面需要演唱者克服传统的民族声乐的演唱方式中过于明亮、甜美的问题,也需要克服演唱中的声音、音色单一问题。演唱这首歌曲时不仅需要塑造一种甜美、结实、明亮的音色效果,也需要获得宽广的视野与多样性的色彩,更需要体现出京剧戏曲的韵味与气质特点,不可缺少演唱中的戏曲表演、京剧韵味,这些都是演唱中需要极为关注的问题。
[Abstract]:Mei Lanfang is a famous master of Beijing Opera in modern China. In the vocal music work < Mei Lanfang >, this paper mainly analyzes the characteristics of song form, melody, singing, accompaniment and so on from the background of creation and general situation. To reveal the singing characteristics and aesthetic characteristics of opera. This paper argues that the taste of Beijing Opera in Mei Lanfang, a vocal work, needs to be designed according to individual circumstances. In the performance of this work, we cannot simply copy the singing and singing methods of the traditional Beijing Opera. These are far from competent to express the deep connotation of the works. At the same time, we also think that in the process of continuously interpreting the connotation of the works, Also need to promote the singer to its singing effect more varied exploration. On the one hand, it is necessary for the singer to overcome the problem of too bright and sweet in the traditional singing mode of national vocal music, but also to overcome the single problem of sound and timbre in singing. When singing this song, we not only need to create a sweet, strong, bright timbre effect, but also need to obtain a wide range of vision and diversity of colors, but also to reflect the charm and temperament of Peking Opera. The performance of opera and the flavor of Beijing Opera are the problems that need to be paid close attention to.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616.2

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