论蒙古国作曲家B.沙日布民歌主题钢琴曲创作技法

发布时间：2018-05-08 08:29

本文选题：蒙古国作曲家B.沙日布 + 民歌主题钢琴曲　；参考：《内蒙古师范大学》2017年硕士论文

【摘要】：B.沙日布是蒙古国杰出作曲家之一,他的作品大多来源于蒙古国人民本真的生活,是蒙古国人民生活的写照,深入蒙古国人民内心。他在民族艺术继承方面做出很多贡献,音乐创作形式和题材广泛多样。主要涉及音乐体裁有交响乐、歌剧音乐、舞剧音乐、电影配乐、钢琴曲、器乐曲、歌曲等几大类别。其中,大部分是具有民族化特征的作品。他创编的由民歌改编的钢琴曲集,充分地展示了钢琴作品民族化的音乐风格特征。本文将深入探析B.沙日布民歌改编钢琴曲集体现出的音乐特征和创作技法,以及民族元素在作品中的具体运用。在这些作品中,每一首都展现了B.沙日布对于民族音乐元素的提取、运用与发展,在保留民族风格的基础上进行再创作,充满民族民歌特色的创作技法和作品,是民族音乐发展的主流途径。蒙古族的民歌是民族音乐的重要组成部分,是构成世界音乐不可或缺的主要内容之一。B.沙日布民歌主题钢琴作品中主要特征体现在以下几个方面:作品主要素材来源于民歌,具有民间音乐特征;大量渗透民族音乐元素;主要写作形式表现为器乐化形态;突出蒙古族特征性节奏。从作品主题来源看,分别采用内蒙古和蒙古国两个区域的民歌为基本材料进行创作。取材多为蒙古族民歌中的短调、长调,其创作手法独特新颖富于创新。本篇论文共有四个部分构成:第一部分引言阐述了论文的研究目的、研究内容、研究方法和研究现状。第二部分简介B.沙日布的主要钢琴作品及其交响音乐的创作;尤其是在钢琴曲部分影响力,进而归纳出他在音乐创作中所体现的创作技法和风格特征。第三部分B.沙日布钢琴作品的音乐特征。对多部作品进行逐一分析,尝试研究B.沙日布民歌钢琴主题曲的民族化音乐特征的具体体现。第四部分本论文的重点章节,主要阐述B.沙日布民歌钢琴主题曲创作进行中蒙古族元素的运用和这部作品的现实意义及研究价值。至目前为止,对于B.沙日布民歌主题钢琴曲作品分析和研究成果和材料甚少,在国内笔者只找到一篇贺西格图发表的文章——《蒙古国作曲家B.沙日布创作技法研究》,该篇文章仅对B.沙日布的音乐作品写作技法进行了探析研究。而本课题研究,是以B.沙日布民歌主题钢琴作品中出现的具体音乐特征以及创作技法,进行更全面的阐述和分析,试图通过深入的研究分析作品,去努力深刻探析B.沙日布民歌主题钢琴曲的民族化与世界化的艺术风格,这便是本篇论文的创新之处。
[Abstract]:b. Sha Ribo is one of the outstanding composers of Mongolia. Most of his works come from the true life of the Mongolian people and are the portrayal of the life of the Mongolian people and go deep into the hearts of the Mongolian people. He made a lot of contributions to the inheritance of national art and made a wide variety of forms and subjects of music creation. It mainly involves symphonies, opera music, dance music, film music, piano music, instrumental music, songs and so on. Most of them are works with nationalization characteristics. His collection of piano songs adapted from folk songs fully demonstrates the nationalized musical style of piano works. This paper will probe into B. The music features and creative techniques embodied in the collection of piano songs adapted by Sha Ribu, as well as the concrete application of national elements in the works. In these works, each capital shows B. It is the mainstream way for the development of folk music to extract, apply and develop the elements of national music, to re-create on the basis of retaining the national style, and to create techniques and works full of the characteristics of national folk songs. Mongolian folk songs are an important part of national music and one of the indispensable contents of world music. The main features of the piano works of Sha Ribu's folk songs are as follows: the main materials of the works come from the folk songs and have the characteristics of folk music, a great deal of permeating the elements of national music, the main forms of writing are characterized by instrumental music; Highlight the Mongolian characteristic rhythm. From the source of the theme of the works, the two regions of Inner Mongolia and Mongolia are used to create folk songs as the basic materials. Most of the materials are short tune and long tone in Mongolian folk songs, and their creative techniques are unique and innovative. This paper consists of four parts: the first part introduces the research purpose, research content, research methods and research status. The second part is a brief introduction to B. Sha Ribo's main piano works and symphonies, especially in the piano music part of the influence, and then summed up his musical creation reflected in the creative techniques and style characteristics. Part three: B. The musical features of Shazibu's piano works. This paper analyzes several works one by one, and tries to study B. The concrete embodiment of the nationalized music characteristics of the piano theme song of Sha Ribu folk song. The fourth part of this paper focuses on the chapter, mainly expounds B. The application of Mongolian elements and the practical significance and research value of Sha Ribu's piano theme song. So far, for B. There are few achievements and materials in the analysis and research on the theme piano works of Sha Ribu folk songs. In China, the author only found an article published by Hesigtu-< Mongolian composer B. "A study of ShaRibu's Creative techniques." this article is only for B. Sha Ribu's writing technique of music works is analyzed and studied. And the research of this subject is based on B. The specific musical characteristics and creative techniques of the piano works on the theme of Sha Ribu's folk songs are expounded and analyzed in a more comprehensive way, which attempts to make a deep analysis of the works through in-depth research and analysis. The nationalization and cosmopolitan artistic style of the theme piano of Sha Ribu is the innovation of this paper.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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