柳琴协奏曲《江月琴声》演奏技法及美学特征研究

发布时间：2018-05-08 16:18

本文选题：王惠然 + 柳琴演奏　；参考：《天津音乐学院》2017年硕士论文

【摘要】：作为民族器乐的一种,四弦柳琴距今只有短短几十年的历史,专业的演奏家及作曲家更是少之又少,其中最为突出的当属王惠然先生。1989年,王惠然先生根据唐代著名诗人白居易的名作《琵琶行》创作了意境深邃的柳琴里程碑式代表作《江月琴声》,这首乐曲无论是其艺术价值还是演奏技巧都当之无愧为中国柳琴作品的瑰宝。《江月琴声》是一部经典的,含有四个乐章的柳琴协奏曲,这四个乐章分别是:「江月」、「哀诉」、「乱世」、「远去」。在演奏技法上加入了两种拟声指法,力图从多方面刻画乐曲情感内容,在主题曲式织体配器方面都具有典型的民族风格和中国式意境。本文主要以演奏者的角度出发,从《江月琴声》的创作背景、演奏技法、及美学特征来解析柳琴曲《江月琴声》,尝试从中发现柳琴作品及其演奏艺术的发展价值。
[Abstract]:As a kind of national instrumental music, Sixiangliuqin has only a short history of several decades, and there are few professional performers and composers, the most prominent of which is Mr. Wang Hui-ran. According to the famous poet Bai Juyi of the Tang Dynasty, Mr. Wang Huiran has created the landmark masterpiece of Liu Qin, "the Sound of the Moon of the River", which has a profound artistic conception. This piece of music is worthy of both its artistic value and its performing skills. Is the gem of Chinese Liu Qin's works. "the Music of the River Moon" is a classic. Liuqin Concerto, which contains four movements, is: the Moon of the River, the Sorrow, the troubled Times and the far gone. Two onomatopoeia fingers are added to the playing technique, which try to depict the emotional content of the music from many aspects, and all have typical national style and Chinese artistic conception in the theme song weaving orchestration. In this paper, from the point of view of the performer, the author tries to find out the developing value of Liu Qin's works and his performing art from the background of creation, playing techniques and aesthetic characteristics of "Jiangyue Piano", and tries to find out the development value of Liu Qin's works and his performing art.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.37

【参考文献】