传统《元宵歌》本的复现、消失与走向——客家白鹭社会“唱元宵”仪式形态初探

发布时间：2018-05-19 17:33

  本文选题：唱元宵 + 《元宵歌》本　； 参考：《人文杂志》2017年09期

【摘要】：族群文化形态上的客家社会表现出了综合性、杂糅性的特点,但以赣闽粤地区而界定的客家生活文化圈又表现出了地域文化的认同性色彩,这样的认同性因素在白鹭社会流行的诸多《元宵歌》本中可见一斑。《元宵歌》本本身是客家地区民间文化艺术的一种重要资源,本文在对《元宵歌》本进行整理的基础上,论述了国图光绪本的传统性、经典性文化特质,并在歌本的类型丛之间与其余诸本确立了"母本"与"子本"的关系。此外,诸本之间依据由传统向现代过渡的特点,依次可以划分为三种类型,三种类型呈逐渐递变的关系,从村落地域文化的形态来看,国图光绪本的经典性地位是由仙鹅山的信仰中心来确立的,而类型的划分,则是信仰中心向外逐渐扩散导致的形态区隔。
[Abstract]:The Hakka society in the form of ethnic culture shows the characteristics of comprehensiveness and hybridity, but the Hakka life culture circle defined by the region of Jiangxi, Fujian and Guangdong shows the identity of regional culture. This kind of identity factor can be seen in many popular "Yuanxiao songs" in the egret society. The "Yuanxiao Song" itself is an important resource of folk culture and art in Hakka areas. This paper, on the basis of sorting out the "Yuanxiao Song", This paper discusses the traditional, classical and cultural characteristics of the Guotu Guang Xu text, and establishes the relationship between the "mother" and "son" between the types of songs and the others. In addition, according to the characteristics of the transition from traditional to modern, the three types can be divided into three types in turn, and the three types are gradually changing. From the perspective of the form of village regional culture, The classical status of Guang Xu is established by the belief center of the mountain, and the classification of the type is the morphological division caused by the gradual outward diffusion of the belief center.
【作者单位】： 太原理工大学政法学院;北京师范大学民间文学研究所;重庆大学外国语学院;
【基金】：2015年教育部人文社科青年基金项目“民间传说与宗族社会关系研究”(15YJC751059) 中国博士后科学基金第57批面上资助项目“祠堂、信仰与钟氏宗族”(2015M570949) 百树社会治理项目的鹭村学课题(312231104)
【分类号】：J607
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本文编号：1911019