浅谈爵士钢琴即兴演奏中指法的运用

发布时间：2018-05-24 13:04

本文选题：爵士乐 + 爵士钢琴　；参考：《上海音乐学院》2017年硕士论文

【摘要】：随着爵士乐在中国不断地发展,配套的理论及演奏教学日趋完善,爵士乐演奏者尤其是爵士钢琴演奏者对于爵士乐即兴的演奏手法、方式、种类等要求不断提高,传统的扒谱技巧、转调练习、和声连接等练习方式已不能满足于爵士钢琴演奏者的日常练习,爵士钢琴演奏者迫切需要一种科学的、细化的、可持续的手指训练理论及方法。本文旨在研究爵士钢琴即兴演奏中指法的运用,解析其基本规则,结合爵士音乐理论与当代主流的即兴方式,提出一种新的爵士乐练习思维以提高中国爵士钢琴演奏者的演奏技巧。本文通过两大板块,十余种演奏手法分析。从音阶到和声,从单旋律的即兴到多声部的即兴,从基本逻辑原理到当代著名爵士钢琴家的特征技巧来讨论当下爵士钢琴即兴手法的一般规律和演奏技巧。对中国爵士钢琴演奏者给予一定的参考。
[Abstract]:With the continuous development of jazz in China and the improvement of supporting theory and playing teaching, jazz performers, especially jazz pianos, have increased the demands of jazz improvisational techniques, methods, types and so on. Traditional techniques of picking up spectrum, transfer practice, and sound connection are not satisfied with jazz piano performance. The jazz pianist urgently needs a scientific, refined, sustainable finger training theory and method. This paper aims to study the use of finger method in improvised jazz piano performance, analyze its basic rules, and put forward a new kind of jazz practice thinking in combination with Jazz Theory and contemporary improvisation. In order to improve the performance techniques of Chinese jazz pianists, this article analyses more than ten kinds of playing techniques through two major plates. From the tone scale to the harmony, from the improvisation of the single melody to the extempore of the multi voice, from the basic logic to the characteristic techniques of the famous jazz pianist, the general rules and performance techniques of the Jazz Piano Improvisation are discussed. It provides some reference for Chinese jazz pianist.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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