论肖邦《谐谑曲Op.39》创作风格与演奏技巧分析

发布时间：2018-05-25 00:39

本文选题：肖邦 + 谐谑曲　；参考：《吉林艺术学院》2017年硕士论文

【摘要】：在个人多年音乐艺术的学习、创作及教学过程中,笔者深深感受到艺术的学习就是一个需要经历一个从量变引发质变的过程,从本科学习期间笔者就深深被肖邦的钢琴音乐所吸引,在本科四年学习期间也演奏大量肖邦的钢琴曲目,虽然能够掌握相关演奏技巧,但鉴于个人阅历及演奏经验的匮乏,依然难以全面的诠释出肖邦曲目的丰富的情感,为此在研究生学期期间,笔者进一步巩固了个人钢琴音乐的学习,不仅巩固了钢琴演奏技巧,也进行了大量音乐理论及美学思想方面的学习,出于个人对于肖邦音乐的喜爱,在此期间也对肖邦的个人经历、创作的音乐体裁进行了梳理,被肖邦的《谐谑曲》深深感染,作为肖邦“三高”(质量高、创新性高、艺术成就高)的作品,肖邦的《谐谑曲》无论是从创作角度分析,还是从演奏角度来看,都是肖邦音乐深度、广度的集中体现,这些曲目既适合钢琴舞台演奏,也适合钢琴教学,个人的音乐学习经历,也使笔者下定决心在毕业来临之际再对肖邦《谐谑曲》进行一次更为全面的研究。
[Abstract]:In the course of studying, creating and teaching music art for many years, the author deeply feels that the study of art is a process that needs to go through a qualitative change caused by quantitative change. The author was deeply attracted by Chopin's piano music during his undergraduate study. He also played a lot of Chopin's piano repertoire during his four years of study. Although he was able to master the relevant performance skills, but in view of the lack of personal experience and playing experience, It is still difficult to fully interpret the rich feelings of Chopin's repertoire. Therefore, during the postgraduate semester, the author further consolidated the study of personal piano music, not only the piano playing skills, He also studied a large number of music theories and aesthetic thoughts, out of his personal love for Chopin's music, and during this period he also combed out Chopin's personal experience and genre of music, and was deeply infected by Chopin's "Scherzo". As a work of Chopin's "three heights" (high quality, high innovation, high artistic achievement), Chopin's Scherzo is a concentrated embodiment of the depth and breadth of Chopin's music both from the angle of creation and from the perspective of playing. These tracks are suitable for piano stage playing, piano teaching, personal music learning experience, and make the author resolve to make a more comprehensive study of Chopin's Scherzo at the coming of graduation.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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