“千里草原寄瑶音”—姚瑶硕士音乐会毕业设计与感悟

发布时间：2018-05-27 05:26

本文选题：音乐会 + 民族声乐　；参考：《中国音乐学院》2017年硕士论文

【摘要】：本文是声乐表演专业硕士研究生毕业音乐会设计报告。报告中涵盖了笔者的学习背景、对音乐会的整体构思、曲目的选择、对作品及其风格的诠释、自己的演唱感悟等,同时既站在声乐演唱者“局内人”的角度去诠释民族声乐作品,又从“局内人”的观念跳出,将科学的声乐演唱方法融入到少数民族风格作品中,尽可能忠实本民族“原文”,在此基础上给予作品二度诠释。音乐会定名“千里草原寄瑶音”。整体构想力求从本土与域外、传统与现代、共性与个性、继承与发展、民族性与世界性等一系列的二元互动关系视角中为大家呈现。故此次音乐会分为上、下两个篇章。上篇选取以中国古典诗词创作的古曲风格乐曲、以经典戏曲选段创作的京歌、中外歌剧选段、现代创作歌曲等多种风格的作品,主要根据自己音域和音色的特点,运用学院派科学、规范的发声方法以及个人对作品的理解来诠释作品;下篇在用运科学、规范的发声方法基础上,加入自己对本民族及本民族风格乐曲的理解来演绎,为了做到“忠实原文”及兼顾特殊性与普世性,本人选择同时运用蒙、汉两种语言来演唱,让听众能够真切感受和聆听到蒙古音乐的传统与现代、共性与个性、继承与发展、民族性与世界性。
[Abstract]:This paper is a graduate concert design report for graduate students majoring in vocal performance. The report covers the author's learning background, the overall conception of the concert, the selection of the repertoire, the interpretation of the works and their style, their own singing feelings, etc. At the same time, it not only interprets the national vocal music works from the angle of "insiders" of vocal singers, but also jumps out from the concept of "insiders", and integrates scientific vocal singing methods into minority style works, so as to be as faithful as possible to the original text of their own nation. On this basis to give the second interpretation of the work. The concert was named "Thousand miles of prairie to send yo-yao sound." The overall conception tries to be presented to us from the perspective of a series of dualistic interactive relations, such as native and extraterritorial, tradition and modern, commonality and individuality, inheritance and development, nationality and world, and so on. Therefore, the concert is divided into the first, the next two chapters. In the first part, I choose the works of ancient Chinese classical poetry, Beijing songs, Chinese and foreign operas, modern songs, etc., which are mainly based on the characteristics of their own timbre and timbre. Using academic science, standardized vocalization methods and individual understanding of the work to interpret the work; the second part, based on the use of science of transportation and the standardized method of vocalization, adds one's own understanding of the music of the nation and its own national style to the interpretation. In order to be faithful to the original text and to give consideration to particularity and universality, I choose to sing in both Mongolian and Chinese languages so that listeners can truly feel and listen to the tradition and modernity, commonality and individuality, inheritance and development of Mongolian music. Nationality and the world.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616

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