大型交响合唱《川江颂》解读

发布时间：2018-05-28 04:34

本文选题：川江号子 + 川江颂　；参考：《西南大学》2015年硕士论文

【摘要】：大型交响合唱《川江颂》是运用民族音乐“川江号子”的素材进行创作的作品,是创作者们与川江号子传承人一起对川江号子进一步创新发展的尝试。川江号子的历史极为悠久,是川江船工在几千年的驾船劳作中的伟大创造,2006年5月20日,民族音乐“川江号子”经国务院批准列入第一批国家级非物质文化遗产名录。为了更好的传承和发展川江号子,本土作曲家们积极对川江号子进行搜集整理创作,大型交响合唱《川江颂》的创作者们便是其中之一。在大型交响合唱《川江颂》未整体完成之前,作品中的部分选曲曾多次在国际、国内的音乐舞台上演出。创作者们在此期间不断积累经验,得到了宝贵的意见和反馈,对于大型交响合唱《川江颂》的修改和完成有着重要的意义,这期间创作者们将川江号子材料的曲式结构作相应调整、使原单旋律和声化、丰富其乐曲调性、将部分无伴奏合唱曲目改编为交响合唱；歌词方面即保留了下里巴人的原词,也增加了雅俗共赏的新创内容。谈到上述的创作手法,其实与现在越来越多的音乐融合创作分不开。伴随着人类历史的发展,音乐元素的融合在各族文化不断的碰撞中不断演变,由于时代的变迁和科技的快速发展,当今国际交往日益频繁,文化的交流融合呈一种必然的态势加速进行着。挖掘民族民俗音乐精髓为今所用是当代音乐创作的一个重点,也是与国际文化交流的一个亮点,而运用西洋音乐与原生态音乐相结合的手法来创作“川江号子”则是一条走向大众、走向国际,弘扬民族音乐文化的有效途径。大型交响合唱《川江颂》的创作者们以与时俱进的思想理念,不拘泥于原生态音乐本身而创新塑造川江风情,尊重原作,保留神韵精华,大胆创新,注入世代活气,为历史悠久的川江号子重新焕发青春活力尽到了一己之力。本文中,笔者通过对大型交响合唱《川江颂》的介绍、分析,诠释这部以川江号子为基点而创作的交响合唱,论述《川江颂》以洋为中用、古为今用、门类交错的手段,将西洋音乐创作技法、当代艺术审美作为该作品主要融合方向,并加入多类艺术元素进行创作表演的作用和意义。
[Abstract]:The large-scale symphonic chorus "Song of the Sichuan River" is a work created by using the material of the folk music "Chuan Jiang Buzi", and it is an attempt by the creators and the Chuanjiang Legend to further innovate and develop the Chuanjiang Rivers. Chuanjiang Shipyard has a very long history, which is the great creation of Chuanjiang Shipyard in the thousands of years of boat work. On May 20, 2006, the folk music Chuanjiang Buzi was approved by the State Council to be included in the first batch of state-level intangible cultural heritage list. In order to better inherit and develop Chuanjiang Shouzi, local composers actively collect and create Chuanjiang Buzi, and the creators of the large-scale symphonic chorus "Ode to the Chuanjiang River" are one of them. Before the completion of the large-scale symphonic chorus "Song of Chuanjiang", some of the selected songs in the works have been performed on the international and domestic musical stage many times. During this period, the creators have accumulated experience and received valuable advice and feedback, which is of great significance to the revision and completion of the large-scale symphonic chorus "Song of the Sichuan River". During this period, the creators adjusted the musical structure of the Chuanjiang submaterial accordingly, so that the original single melody could be harmonised, enriching the tone of its music, and adapting part of the repertoire of the accompaniment chorus to the symphony chorus. In terms of lyrics, the original words of the Lower Riba people were retained. Has also increased the elegant common appreciation new creation content. The above-mentioned creative techniques, in fact, and now more and more music fusion creation inseparable. With the development of human history, the integration of music elements in the continuous collision of cultures of all ethnic groups, due to the changes of the times and the rapid development of science and technology, the international exchanges are becoming more and more frequent. The communication and fusion of culture is accelerating in an inevitable way. Digging up the essence of folk music for use today is an important part of contemporary music creation and a highlight of cultural exchanges with the international community. Using the combination of western music and original ecological music to create Chuanjiang Buzi is an effective way to go to the public, to the world and to carry forward the national music culture. The creators of the large-scale symphonic chorus "Ode to the Chuan Jiang", with the idea of keeping pace with the times, innovating and shaping Chuanjiang's amorous feelings, respecting the original works, retaining the essence of charm, boldly innovating and infusing the living spirit of generations, are not confined to the original music itself. For the long history of the Chuanjiang River regenerated the vitality of youth to do their own. In this paper, the author analyzes and interprets the symphonic chorus composed on the basis of the Chorus of Chuanjiang River through the introduction of the large-scale symphonic chorus "Song of the Sichuan River", and discusses the means of "Song of the River of Chuanjiang" to be used in China, used in the past for the present, and staggered in categories. Western music creation techniques, contemporary art aesthetics as the main integration direction of the work, and the role and significance of adding a variety of artistic elements for creative performance.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J605

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