记谱与韵谱

发布时间：2018-06-05 12:31

  本文选题：工尺谱字 + 阿口　； 参考：《音乐艺术(上海音乐学院学报)》2017年03期

【摘要】：杨荫浏在智化寺"京音乐"调查中首先发现了传统乐种的抄谱与韵唱之间存在的"阿口"现象,谱本上抄录的"实字"与乐师们韵谱的"阿口"以及实际演奏谱之间都存在差异,这成为中国传统音乐呈现过程中的一套链条。乐谱呈现过程中"字""韵""奏"的分离现象,源自古代"填词入乐"体制。从中可以窥见文化制度的潜规则,即隔离文人与乐工的知识双轨制。认识这种现象有助于认识传统音乐呈现方式的整套体制。
[Abstract]:Yang Ying-liu first discovered the "Akou" phenomenon between the music transcripts of the traditional music species and the rhyme singing in the "Beijing Music" investigation of Zhihua Temple. There are differences between the "real characters" copied from the music book and the music musicians'"Akou" and the actual performance scores, which has become a set of chain in the process of the presentation of Chinese traditional music. The separation of "character" and "rhyme" and "playing" in the presentation of music score originates from the ancient system of "filling in words into music". We can see the hidden rules of cultural system, that is, the double track system of isolating literati and music workers. Understanding this phenomenon helps to understand the whole system of traditional musical presentation.
【分类号】：J613.2
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本文编号：1981996