西方马克思主义视阈中的中国音乐产业发展问题研究

发布时间：2018-06-05 12:33

本文选题：西方马克思主义 + 文化工业　；参考：《首都经济贸易大学》2017年硕士论文

【摘要】：音乐产业是文化产业的重要组成部分。无论对于文化产业还是音乐产业,学术界都已多有研究;但国内外在关注音乐产业中由具体的技术应用所带来的问题时,要么只在经济、法律或技术等孤立层面尝试分析和解决,无法深入问题的实质;要么试图运用抽象晦涩的哲学话语对音乐产业的工业化生产方式和产品内容加以批判,对具体技术应用关注不多。综合运用定性研究方法和定量研究方法,并将中国音乐产业发展过程中由具体的技术应用所带来的问题置于西方马克思主义视阈中加以分析,可以发现技术处理标准化(同类风格技术处理固定化、不同风格间存在响度竞争)、风格趋于丧失(形式元素与风格本身混淆、一些风格不适合工业化制作因而其风格化表达被消减)与受众失去个性和反思能力等问题;这三个问题统一于资本逐利的逻辑,后者也是造成这些问题的深层次原因;解决路径则必须从创作者角度、市场与版权角度和资本管控角度等三个角度给出。在理论上,西方马克思主义的文化工业理论在今天仍具批判性,并为国内类似研究提供借鉴;在实践上,社会主义市场经济中的音乐产业良性发展离不开自觉的创作者、规范的市场和成熟的资本管控,尤其需要由艺术家主动引导技术进步。
[Abstract]:Music industry is an important part of cultural industry. Whether for the cultural industry or the music industry, there has been much research in the academic circles. However, when the domestic and foreign countries pay attention to the problems caused by the specific technology application in the music industry, they are only in the economy. Trying to analyze and solve the problem at the isolated level, such as law or technology, can not go deep into the essence of the problem, or try to use abstract and obscure philosophical discourse to criticize the industrialized production mode and product content of the music industry. Little attention is paid to the application of specific technology. The qualitative and quantitative research methods are used synthetically, and the problems caused by the application of specific technology in the development of Chinese music industry are analyzed from the perspective of Western Marxism. It can be found that the standardization of technical treatment (the same style technique is immobilized, there is loudness competition between different styles, and the style tends to lose (the form element is confused with the style itself), Some styles are not suitable for industrialized production and their stylized expression is reduced) and the audience loses personality and reflective ability, which are unified in the logic of capital banishing and profit, the latter is also the deep-seated cause of these problems. The solution must be given from the perspectives of creators, market and copyright, and capital control. In theory, the Western Marxist theory of cultural industry is still critical today and provides a reference for similar studies in China. In practice, the sound development of the music industry in the socialist market economy is inseparable from conscious creators. Regulated markets and mature capital controls, in particular, require the initiative of artists to guide technological progress.
【学位授予单位】：首都经济贸易大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J692

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