“二胡前奏曲”的创新理念及演奏心得

发布时间：2018-06-17 03:35

本文选题：二胡演奏艺术 + 大型二胡作品　；参考：《中央民族大学》2017年硕士论文

【摘要】：当今,随着中国的二胡演奏艺术蓬勃发展,更多的作曲家对二胡音乐的创作投入了相当的精力,结出了丰硕成果,涌现出了一大批优秀的二胡新作。这些优秀的作品,题材广泛,体裁多样,极大地丰富了二胡演奏艺术的水平。作品力求推陈出新,既保留了二胡独有的音色及艺术内涵,又能从创作技法上极大地丰富了二胡演奏艺术,其颇具民族特色的旋律,变化无穷的节奏以及新颖结构特点,有力地推动了二胡演奏艺术的提高,进一步拓展了二胡演奏的表现手法,并把二胡艺术的创新引向更为广阔的音乐空间。同时,这些优秀二胡作品,为专业的音乐院校的二胡教学提供了及时的相关实用教材,也为二胡演奏家的音乐会曲目提供了更宽泛更多曲风选择的可能,这是令人非常欣喜的一件事情,是一种音乐繁荣。这些优秀二胡作品,随着其演奏风格与演奏方法的推陈出新以及高难度演奏技法的不断提升,也随即产生了一个重要的需要认真进行学术探讨的课题,不断涌现的二胡新作品中的高难技术技巧与当今二胡基本功训练新教材的短缺,成为严重困扰并且明显制约了这些二胡优秀作品的实际教学与舞台实践。如何把二胡平时的基本功训练与当今的"大而难"的作品紧密结合起来呢?如何攻略这些大作品中的高难技术技巧呢?如何让学习二胡专业的学生们能够在平时的基本功练习中不再感到乏味呢?这是一个不容忽视的科研课题。本论文就最新由权威的中央音乐学院出版社出版全国发行的优秀二胡教材,由中央民族大学音乐学院董锦汉教授的专著《二胡新技法训练全攻略》为重要的论题,结合本人学习演奏"二胡前奏曲"的亲身体会撰写的,以此作为读研阶段学习二胡演奏的总结汇报。本论文以《"二胡前奏曲"的创新理念与演奏心得》为题,以二胡的创新理念为着力点,从学术角度来阐述当今二胡新技法艺术特点,论证二胡技术技巧训练与现代音乐作品结合的重要性与必要性,分析中国民族音乐同西方音乐的融合与创新,提出了二胡音乐教学中若干急待研讨的问题。同时,还结合自己二胡演奏的艺术实践,通过对董锦汉教授创作的有代表的多首"二胡前奏曲"及相关作品的艺术赏析,深入阐述了"二胡前奏曲"的创新理念、创作技法、艺术特点与演奏心得,进一步揭示"二胡前奏曲"创新的现实意义和对中国二胡音乐传承与创新发展的科学理念与前瞻性。无疑,研究好这一课题,将对二胡艺术的进一步创新与发展产生重要的积极作用。
[Abstract]:Nowadays, with the rapid development of erhu performance in China, more and more composers have devoted considerable energy to the creation of erhu music, produced fruitful results, and a large number of excellent erhu new works have emerged. These excellent works, with a wide range of themes and various genres, greatly enriched the level of erhu performance. The works not only retain the unique timbre and artistic connotation of erhu, but also greatly enrich the erhu performance art in terms of creative techniques. It promotes the improvement of erhu playing art, further expands the performance technique of erhu performance, and leads the innovation of erhu art to a broader music space. At the same time, these excellent erhu works provide timely and relevant practical teaching materials for erhu teaching in professional music colleges, and also provide the possibility of wider and more musical style choices for erhu performers' concert repertoire. This is a very pleasant thing, is a music boom. These excellent erhu works, along with the innovation of their performance style and performance methods and the continuous improvement of the highly difficult performance techniques, have also produced an important subject that needs to be seriously discussed in the academic field. The highly difficult technical skills in the emerging erhu new works and the shortage of the new teaching materials for erhu basic skills training have become a serious problem and have obviously restricted the actual teaching and stage practice of these excellent erhu works. How to combine the basic skill training of Erhu with today's "big and difficult" works? How can we take advantage of the difficult techniques in these great works? How can students studying erhu majors not feel bored in their usual practice of basic skills? This is a scientific research subject that can not be ignored. This thesis is an important topic on the latest publication of excellent erhu textbooks published nationwide by the authoritative Central Conservatory of Music Press, and by Professor Dong Jinhan of the Central University for nationalities, Professor Dong Jinhan's monograph "introduction to the New techniques of Erhu". I learned to play the "Erhu prelude" written by my own experience, as a study of the stage of postgraduate erhu performance summary report. This thesis is about the innovative idea and performance experience of "Erhu prelude", with the innovative idea of erhu as the focus, and expounds the characteristics of the new erhu technique art from the academic point of view. This paper demonstrates the importance and necessity of the combination of erhu technical skill training and modern music works, analyzes on the fusion and innovation of Chinese folk music and western music, and puts forward some urgent problems to be discussed in erhu music teaching. At the same time, combined with the artistic practice of his erhu performance, through the artistic appreciation of several representative "Erhu prelude" and related works created by Professor Dong Jinhan, this paper expounds in depth the innovative idea and creative techniques of "Erhu prelude". The artistic characteristics and performance experience further reveal the practical significance of the innovation of the prelude to erhu and the scientific idea and foresight of the inheritance and development of erhu music in China. Undoubtedly, a good study of this subject will play an important and positive role in the further innovation and development of erhu art.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.21

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