基于Ambisonics算法的交互式3D声音体验平台搭建初探

发布时间：2018-06-22 21:55

本文选题：电子音乐 + 空间音乐　；参考：《上海音乐学院》2017年硕士论文

【摘要】：论题所属当代交互式电子音乐领域,涉及3D声音系统原理,多声道空间电子音乐工程搭建。交互式电子音乐创作手段的选择,创作思维的培养。在当今电子音乐创作越来越强调延伸"空间体验感"的背景下,纷繁的各种制式和商业化提供给创作者选择,音乐科技工程师越来越多的参与其中,寻求用技术手段,探索与实验声音的体验感并运用于作品当中。3D的相关体验已经成为热门,不论是在学术专业院校的范围里,还是在普通大众的娱乐体验中,人们都好奇并向往于较为逼真和良好的体验感。相较于各种视频3D技术的各种产品和3D全息电影的商业化发展,人们越来越发现,声音的3D化仿佛并未有那么跟得上发展的速度,当然其中有很多主客观的原因,但可以得到大家共识的是,声音与音乐是可以说极其重要的一个环节,不论是对于试验性的学院派电子音乐创作,还是商业化的演出,都是作为先导和催化剂更好的带领观众听众的体验。论文论述包括学位作品的创作:硬件配置、软件工程编写、交互式用户界面、测试工程设计等。独立篇章中将较为具体的论述学位作品平台搭建的细节阐述。论文与作品统一并且紧密结合,论文为作品提供理论支持,作品为论文的实践呈现平台。同时,运用横向对比,纵向对比的手法,将Ambisonic的3D声音技术与当今的空间音乐创作制作技术、制式进行比较,提出新环境下创作思维的建议与思考。
[Abstract]:The topic belongs to the contemporary interactive electronic music field, involving the theory of 3D sound system, multi-channel space electronic music engineering. The choice of interactive electronic music creation means and the cultivation of creative thinking. In today's electronic music creation, more and more emphasis is placed on extending the "sense of space experience", and a variety of formats and commercialization are offered to the creators to choose, and more music science and technology engineers participate in it, seeking to use technical means. The experience of exploring and experimenting with sound and applying it to the work of .3D has become a hot topic, both in the field of academic colleges and in the entertainment experience of the general public. People are curious and yearning for a more realistic and good sense of experience. Compared with the commercial development of various products of video and 3D technology and 3D holographic films, people increasingly find that the 3D of sound does not seem to be developing at that pace, and of course there are many subjective and objective reasons. But what we can all agree on is that sound and music can be said to be an extremely important link, whether for experimental academic-school electronic music creation or commercial performances. It is the experience of leading the audience better as a forerunner and a catalyst. This paper discusses the creation of degree works: hardware configuration, software engineering, interactive user interface, test engineering design and so on. Independent chapter will be more specific discussion of the platform of the degree of the details of the work. The thesis provides the theoretical support for the work, and the work presents the platform for the practice of the thesis. At the same time, by means of horizontal contrast and vertical contrast, the 3D sound technology of Ambisonic is compared with the space music creation and production technology, and the suggestion and thinking of creative thinking in the new environment are put forward.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.8

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