丝绸之路文化背景下的中国琵琶艺术

发布时间：2018-06-22 22:08

本文选题：丝绸之路 + 琵琶艺术　；参考：《中央民族大学学报(哲学社会科学版)》2017年06期

【摘要】：琵琶是中国民族器乐中具有代表性的乐器之一,它并非由中国本土文化产生,而是与琉特琴同源,兴起于美索不达比亚平原,经丝绸之路传入中原之后与中国古代乐器相融合,最终成为中华音乐文明中的璀璨明珠。本文以丝绸之路文化为视野,剖析和诠释从西而来的琵琶艺术在两千多年里与中华本土文化的交流、交融和发展。探寻新丝路时期琵琶艺术创作题材的深度和广度,以期拓宽其艺术发展的内涵与外延。
[Abstract]:Pipa is one of the representative musical instruments in Chinese national instrumental music. It is not produced by Chinese native culture, but originated from the Plain of Mesopotabia and merged with ancient Chinese musical instruments after it was introduced into the Central Plains through the Silk Road. Finally become the bright pearl of Chinese music civilization. From the perspective of Silk Road culture, this paper analyzes and interprets the communication, blending and development of pipa art from the west with Chinese native culture in more than 2000 years. This paper explores the depth and breadth of the artistic creation of pipa in the New Silk Road period in order to broaden the connotation and extension of its artistic development.
【作者单位】：中央民族大学音乐学院;
【分类号】：J632.33

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