清代古谱《弦索备考》中筝曲《清音串》、《平韵串》之研究

发布时间：2018-06-23 22:06

本文选题：弦索备考 + 筝　；参考：《中国音乐学院》2017年硕士论文

【摘要】：十九世纪初清蒙族文人明谊(荣斋)曾主持将当时流行甚广、以弦乐器①为主的13套弦索乐套曲编撰成册,命名为《弦索备考②》(1814年抄本)。然,该部谱册中只有筝卷完整记载13首乐曲,因此对《弦索备考》古筝字谱部分的研究则尤为重要。本文以筝卷中《清音串》、《平韵串》?两首乐曲为研究对象,采用历时性与共时性双重辩证研究,一方面横向从作者编书时所处社会背景、人文环境探讨《清音串》、《平韵串》所具有的较纯粹的民族传统音乐曲式结构以及包涵的民间元素和文人特性;一方面通过时代纵向的发展,对比研究《清音串》、《平韵串》在现代人文环境中演奏应当遵循的调式、调性、定弦与作韵的规律,旋律所蕴含的审美与演奏价值,在音色、古筝技法操作方面应当选择的演奏方式与训练办法以及如何在本质上提高弦索十三套筝曲的传承质量。最后从文献到音响、从奏法到技法的提升过程中,探究继承传统的方式与意义。据此,本文得出以下结论:1、筝曲《清音串》、《平韵串》的定弦均为串儿弦,同属A宫清乐调式系统及循环体曲式结构。《清音串》属于E徵清乐调式;曲式结构“串连式”循环体。《平韵串》属A宫清乐调式;曲式结构“合尾式”循环体。2、筝曲《清音串》、《平韵串》似已出现摇指技法雏形,并且其音乐蕴含极高的演奏价值与审美价值。3、通过对《清音串》、《平韵串》工尺谱的研究,提出复原古谱的方法与方向以及古谱传承的途径与责任。对《弦索备考》及其筝谱《清韵串》、《平韵串》的挖掘使笔者对古筝的发展脉络更加明朗,这对拓展中国传统音乐史学、表演美学、形态学等学科的认知,都具有重要的学术意义,更重要的是为古筝音乐的传承提供了升华音乐涵养的语境。
[Abstract]:In the early nineteenth Century, the Qing Dynasty Mongolian literati Ming friendship (Rong Zhai) once presided over the 13 sets of chord music suite, which was widely popular at the time, and was named as "preparing for the chores" (1814 copy). However, only 13 pieces of music were recorded in the book, so the study on the zither character spectrum part was particularly important. The paper takes the two pieces of music as the object of study, with the dual dialectical study of diachronic and synchronic, on the one hand, the social background of the author, the cultural environment, the pure national traditional music structure, the folk elements and the literati. On the one hand, through the development of the times, a comparative study of the style, the regulation, the rhythm and the rhyme, the aesthetic and performance values that should be followed in the modern humanistic environment. To improve the quality of the inheritance of the thirteen sets of zither music. Finally, from the literature to the sound, from the play to the promotion of the technique, the methods and significance of inheriting the tradition are explored. Accordingly, the following conclusions are drawn: 1, the zither music < Qing Yin kebab > the chord of the flat rhyme string > is the A palace music style system and the circular form structure. < Qing Yin string > >. It belongs to the "E" style of the Qing Dynasty; the structure of the musical structure is a "tandem" cycle. The "flat rhyme string >" belongs to the A palace music style; the musical structure "the tail" cycle body.2, the zither music < Qing Yin string >, the flat rhyme string > has appeared the prototype of the rocking technique, and its music contains high performance value and aesthetic value.3, through the study of "Qing Yin string >" "Ping Yin string > scale spectrum" research. The method and direction for the restoration of the ancient spectrum and the way and responsibility of the inheritance of the palaeo spectrum are put forward. The excavation of the chorus and its guzheng spectrum and the mining of the guzheng string make the development of the guzheng more clear, which is of great academic significance to the development of Chinese traditional music history, performance aesthetics, and morphology. The purpose is to provide a sublime context of music conservation for the inheritance of Guzheng music.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.32

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