古筝协奏曲《丹青仙子》的艺术风格与演奏技法研究

发布时间：2018-07-02 14:51

本文选题：《丹青仙子》 + 刘文金　；参考：《上海音乐学院》2017年硕士论文

【摘要】：古筝是中国具有代表性的民族乐器,有着两千多年漫长的历史。从最早的伴奏乐器到独奏乐器,到现在已经发展成为包含了重奏、协奏、民族管弦乐、西洋管弦乐等多种演奏形式的乐器,体现了传统意蕴和现代审美取向的融合,使古筝这件古老的乐器在新时代中绽放光芒。随着时代变化,古筝音乐也在不断的创新和发展,传统筝曲与现代筝乐并行不悖、相互融合,使古筝艺术得到了前所未有的发挥空间。《丹青仙子》是作曲家刘文金于2007年创作的古筝协奏曲,这是一部将传统与现代融冶于一炉的优秀古筝作品。作品在巧妙提炼传统音乐素材的基础上,以新的音乐语汇诠释了对中国传统文化及其审美的理解。本文以作品的音乐本体分析为切入点,结合自身演奏实践与感悟,力求深入发掘作品的音乐语言特征、风格、创作手法及审美意趣,以期对该作品建立全面深入的认知理解。笔者希望通过此论文的写作,为今后类似选题的研究提供参考文本。本论文分为四个章节,第一章介绍作曲家生平以及作曲家创作概览,并阐述《丹青仙子》的创作背景及原由。第二章对《丹青仙子》的音乐语言与结构进行分析。第三章对《丹青仙子》的演奏技法特征进行研究。第四章从作品的创作观念及艺术风格谈及个人对作品的艺术感悟。
[Abstract]:Guzheng is a representative national musical instrument in China, with a long history of more than two thousand years. From the earliest accompaniment instruments to solo instruments, they have now developed into instruments with various forms of performance, including recital, symphony, national orchestra, western orchestral music, etc., which embody the fusion of traditional meaning and modern aesthetic orientation. Make the ancient musical instrument Guzheng shine in the new era. With the change of times, guzheng music is constantly innovating and developing. Traditional Zheng music and modern Zheng music go hand in hand with each other. "Danqing Xianzi" is a zither concerto composed by composer Liu Wenjin in 2007. It is an excellent zither work that combines tradition and modern in a furnace. On the basis of refining the traditional music materials, the works annotate the understanding of Chinese traditional culture and aesthetics with the new musical vocabulary. Based on the music Noumenon analysis of the work, this paper tries to explore the musical language characteristics, style, creative techniques and aesthetic interest of the work in order to establish a comprehensive and in-depth cognitive understanding of the work. The author hopes to provide reference text for the research of similar topics in the future through the writing of this thesis. This thesis is divided into four chapters. The first chapter introduces the life of the composer and an overview of the composer's creation, and expounds the background and reasons of the creation of Danqing Fairy. The second chapter analyzes the music language and structure of Danqing Fairy. In the third chapter, the characteristics of playing techniques of Danqing Fairy are studied. The fourth chapter talks about the artistic perception of the works from the creative concept and artistic style of the works.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.32

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