藏族传统乐器音响特性即声部分类相关知识系统考释

发布时间：2018-07-02 20:41

  本文选题：藏族 + 传统乐器　； 参考：《西藏大学学报(社会科学版)》2016年01期

【摘要】：藏族传统乐器在音响特性的划分上常借用人声分类中的"颇各"和"莫各"即男声和女声或公音与母音等概念和表述方式,其中涉及音高、音强、音色等多方面的问题。当"颇各"和"莫各"以音高对应理解时,可与"低音"和"高音"相对应;当"颇各"和"莫各"以音强对应理解时,可与"强"和"弱"相对应;当"颇各"和"莫各"以音色对应理解时,可与"阳性"和"阴性"相对应,而且这样的对应具有一定的逻辑性。但从另一角度看,当音高概念中介入居于"低音"和"高音"之间的"中音"时,当音强概念中介入居于"强"和"弱"之间的"中"时,当音色概念中介入居于"阳性"和"阴性"之间的"中性"时,又如何满足必要的逻辑对应呢?可否将"齐各"即童声与音高中的"中音"、音强中的"中"和音色中的"中性"相对应?或许可行。然而,若能将上述因素与藏文字母声调分类中的"颇"、"莫"、"玛能"即"阳性"、"阴性"、"中性"相对应,或许还能阐释更加宽广的文化寓意。文章就上述相关问题进行了考释。
[Abstract]:The traditional Tibetan musical instruments often use the concepts and expressions of "quite different" and "MOG" in the classification of human voices, which are the concepts and expressions of men's and female sounds and vowels, which involve many aspects, such as pitch, sound intensity, and tone color. When "quite" and "Mo" are understood with the pitch, they can be compared with "bass" and "high"; when "quite different" It is corresponding to "strong" and "weak" when it is understood by the intensity of sound. When "quite" and "Mo" are understood by the tone color, they are corresponding to "positive" and "negative", and the correspondence has certain logic. But from another angle, when the concept of pitch comes into the "middle tone" between "bass" and "high", when the concept of pitch is in the "middle tone", it is a sound probability. When the intermediary enters the "middle" between "strong" and "weak", how can we meet the necessary logical correspondence when the sound concept mediate the "neutral" between "positive" and "negative"? The "Po", "Mo" and "Ma", "masculine", "positive", "negative", "neutral", may also be able to explain a more broad cultural implication.
【作者单位】： 西藏大学艺术学院;
【基金】：2013年度国家社会科学基金艺术学项目“西藏传统音乐形态中的知识体系研究”阶段性成果,项目号:13ED142
【分类号】：J632.29
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本文编号：2090853