瑶族婚俗仪式音乐的历史与变迁

发布时间：2018-07-10 03:41

本文选题：瑶族婚俗仪式音乐 + 广西贺州　；参考：《中国音乐学》2017年02期

【摘要】：本文对瑶族婚俗仪式音乐展开“历史与田野”双重维度的观照,进而把握瑶族传统音乐的整体文化意义。笔者通过对广西贺州过山瑶婚俗仪式音乐的考察,认为其是自宋代以来瑶族传统文化在长期的中国政治、社会、历史发展语境中,经受一系列“濡化”“涵化”过程的礼俗文化产物。它同时也是多元化社会、历史背景下的与他文化互动、交融后的一种文化的选择性传承与重构之产物。尤其是元明时期设立的宣慰司、卫所制度,对于瑶族传统文化的“涵化”过程营造了极其有利的社会空间。同时,瑶族自我文化“认同的力量”是巨大的、恒久的。瑶族婚俗音乐中的“族性歌腔”(“纳发调”),“瑶族长鼓舞”等传统文化符码表明族群认同意识的文化自觉,其是保护与传承瑶族传统文化的一个内在驱动力。
[Abstract]:This paper explores the dual dimensions of "history and field", and then grasps the whole cultural significance of Yao traditional music. Based on the investigation of the ritual music of the wedding customs of the Yao nationality in Hezhou, Guangxi, the author thinks that the traditional culture of Yao nationality has been in the context of Chinese political, social and historical development for a long time since the Song Dynasty. Through a series of "acculturation" and "acculturation" process of the products of custom culture. It is also the product of selective inheritance and reconstruction of a kind of culture after the interaction with other cultures under the background of pluralistic society and history. Especially in Yuan and Ming dynasties, the system of Huanghui Institute created an extremely favorable social space for the process of "acculturation" of Yao traditional culture. At the same time, Yao's self-culture, the power of identity, is enormous and permanent. The codes of traditional culture such as "folk song" ("Nafa tune") and "Yao long inspiration" in the music of marriage customs of Yao nationality indicate the cultural consciousness of ethnic identity consciousness, which is an internal driving force for protecting and inheriting the traditional culture of Yao nationality.
【作者单位】：河北师范大学音乐学院;

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