论“杨黄学派”史学思维的基本特征

发布时间：2018-07-12 20:28

  本文选题：杨黄 + 中国古代音乐史　； 参考：《音乐研究》2017年05期

【摘要】：正楔子大约二十余年前,已有"杨黄学派"提法在京城学术圈流传,始作俑者无稽可考,有人或戏称为"杨黄家风"。无论如何,这一概念是否具有合理性、科学性,在21世纪史学实践中是否经得住历史检验,发挥其史学指导作用,笔者提出浅陋之见,请同行学者、专家批评指正。杨荫浏(1899—1984)是民国年间横空出世的国乐大师和音乐史学泰斗。我在1980年5月参加"中国古代音乐史座谈会"期间,观摩甘肃省歌舞剧院演出大型民族
[Abstract]:More than 20 years ago, the "Yang Huang School" was widely used in the academic circle of the capital. In any case, whether this concept is reasonable and scientific, whether it can stand the historical test in the practice of history in the 21st century and give play to its guiding role in historiography, the author puts forward a shallow and humble view, and invites scholars and experts to criticize and correct it. Yang Ying-liu (1899-1984) was a great master of national music and a master of music historiography in the Republic of China. I attended the Forum on the History of Ancient Chinese Music in May 1980, and watched the Gansu Provincial Opera and Dance Theatre perform large ethnic groups.
【作者单位】： 山东师范大学;
【分类号】：J609.2
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本文编号：2118370