论蒙古族室内乐的特征类型及在歌舞剧中的功能——兼评《阿拉善传奇》的音乐表现力

发布时间：2018-07-12 20:48

本文选题：蒙古族室内乐 + 《阿拉善传奇》　；参考：《音乐创作》2017年02期

【摘要】：蒙古族室内乐的出现距今有近七十年的历史,在响应国家文化方针政策的背景下,蒙古族艺术家通过深刻探索,找到了一种本民族音乐与外来音乐相互交融的有效方法。一方面使蒙古族音乐与时俱进,得到改良与提升;另一方面也促进了民族音乐的繁荣,获得更好的传播推广效果。本文的研究在探讨蒙古族室内乐的缘起与构成类型等理论问题的基础上,以近年来较为成功的歌舞剧作品《阿拉善传奇》为案例,评述室内乐如何在现代舞台上为戏剧创编服务,如何通过民族音乐与西方音乐构成的合力,辅助作品中剧情的刻画、人物的渲染、内涵的表达。由此更为直观的显现蒙古族室内乐在现代戏剧舞台上不可或缺的功能与价值。
[Abstract]:Mongolian chamber music has a history of nearly 70 years. In response to the national cultural policy background, Mongolian artists have found an effective way to blend their folk music with foreign music through deep exploration. On the one hand, the Mongolian music keeps pace with the times and gets improvement and promotion; on the other hand, it also promotes the prosperity of national music and gets a better effect of spreading and popularizing. On the basis of discussing the origin and composition type of Mongolian chamber music, this paper takes the successful song and dance play "Alashan Legend" as a case study in recent years. This paper reviews how chamber music serves for drama creation on the modern stage, and how to assist the depiction of plot, the rendering of characters and the expression of connotation through the resultant force of folk music and western music. Thus more intuitively show the Mongolian chamber music in the stage of modern drama indispensable function and value.
【作者单位】：河南职业技术学院;

【相似文献】