18世纪上半叶键盘协奏曲音乐研究
发布时间：2018-07-14 15:45
【摘要】：本文以18世纪上半叶的键盘协奏曲作为主要研究对象,介绍了巴洛克时期键盘音乐发展以及18世纪上半叶键盘协奏曲的创作特征,其中主要包括J·S·巴赫的键盘音乐创作以及亨德尔的键盘音乐创作。之后分别对J·S·巴赫的古钢琴协奏曲代表作品《意大利协奏曲》与亨德尔的管风琴协奏曲代表作品《管风琴协奏曲Op.4》的创作特征与风格进行音乐分析,通过对两位作曲家的音乐作品本体进行分析研究,概括出18世纪上半叶键盘协奏曲的风格特征以及对后世作曲家在键盘协奏曲领域创作所产生的影响。本论文共分为四个部分:第一部分:巴洛克时期的键盘协奏曲发展。分别论述了巴洛克时期法国古钢琴与德国管风琴的发展,以及17世纪下半叶三种协奏曲基本形式的发展与18世纪上半叶独奏协奏曲的发展,对键盘协奏曲产生前的音乐发展概况作了分析介绍。第二部分:18世纪上半叶J·S·巴赫键盘协奏曲音乐创作。首先,对J·S·巴赫在18世纪上半叶所改编的几首古钢琴协奏曲作品进行介绍;之后对他的经典古钢琴协奏曲作品《意大利协奏曲》进行音乐分析并介绍了意大利音乐风格;最后,总结出J·S·巴赫的键盘音乐创作及键盘协奏曲的音乐风格特征。第三部分:18世纪上半叶亨德尔键盘协奏曲音乐特征。首先对亨德尔的管风琴协奏曲作品《管风琴协奏曲Op.4》进行音乐分析;之后总结出亨德尔的键盘音乐创作及键盘协奏曲音乐风格特征。第四部分:18世纪上半叶键盘协奏曲的风格特征及影响。结合第二部分、第三部分中相关的作品的分析研究,总结出18世纪上半叶键盘协奏曲的风格特征,并分析探讨这一时期键盘协奏曲对后世协奏曲体裁创作所产生的影响。
[Abstract]:Taking the keyboard concerto of the first half of the 18th century as the main research object, this paper introduces the development of keyboard music in the Baroque period and the creative characteristics of the keyboard concerto in the first half of the 18th century. It mainly includes J. S. Bach's keyboard music creation and Handel's keyboard music creation. After that, it analyzes the creative characteristics and style of J. S. Bach's classical piano concerto "Italian Concerto" and Handel's "Organ Concerto Op.4", respectively. By analyzing the music works of two composers, this paper summarizes the style characteristics of keyboard concertos in the first half of the 18th century and their influence on the creation of keyboard concertos by later composers. This thesis is divided into four parts: the first part: the development of keyboard concerto in Baroque period. The development of the ancient French piano and the German organ during the Baroque period, the development of three basic forms of concerto in the second half of the 17th century and the development of the soloist concerto in the first half of the 18th century are discussed respectively. This paper introduces the development of keyboard concerto before it comes into being. The second part is the music creation of J. S. Bach keyboard concerto in the first half of the 18 th century. First of all, the author introduces several ancient piano concertos adapted by J. S. Bach in the first half of the 18th century, and then analyzes his classical piano concerto "Italian Concerto" and introduces the Italian musical style. Summarizes J. S. Bach's keyboard music creation and the keyboard concerto music style characteristic. Part three: the music features of Handel keyboard concerto in the first half of the 18 th century. This paper first analyzes Handel's Organ Concerto work < Organ Concerto Op.4 >, then summarizes Handel's keyboard music creation and keyboard concerto music style. Part four: the style and influence of the keyboard concerto in the first half of the 18 th century. Combined with the analysis and study of the related works in the second part and the third part, this paper summarizes the style characteristics of the keyboard concerto in the first half of the 18th century, and analyzes the influence of the keyboard concerto on the genre creation of the later generations.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2122136
[Abstract]:Taking the keyboard concerto of the first half of the 18th century as the main research object, this paper introduces the development of keyboard music in the Baroque period and the creative characteristics of the keyboard concerto in the first half of the 18th century. It mainly includes J. S. Bach's keyboard music creation and Handel's keyboard music creation. After that, it analyzes the creative characteristics and style of J. S. Bach's classical piano concerto "Italian Concerto" and Handel's "Organ Concerto Op.4", respectively. By analyzing the music works of two composers, this paper summarizes the style characteristics of keyboard concertos in the first half of the 18th century and their influence on the creation of keyboard concertos by later composers. This thesis is divided into four parts: the first part: the development of keyboard concerto in Baroque period. The development of the ancient French piano and the German organ during the Baroque period, the development of three basic forms of concerto in the second half of the 17th century and the development of the soloist concerto in the first half of the 18th century are discussed respectively. This paper introduces the development of keyboard concerto before it comes into being. The second part is the music creation of J. S. Bach keyboard concerto in the first half of the 18 th century. First of all, the author introduces several ancient piano concertos adapted by J. S. Bach in the first half of the 18th century, and then analyzes his classical piano concerto "Italian Concerto" and introduces the Italian musical style. Summarizes J. S. Bach's keyboard music creation and the keyboard concerto music style characteristic. Part three: the music features of Handel keyboard concerto in the first half of the 18 th century. This paper first analyzes Handel's Organ Concerto work < Organ Concerto Op.4 >, then summarizes Handel's keyboard music creation and keyboard concerto music style. Part four: the style and influence of the keyboard concerto in the first half of the 18 th century. Combined with the analysis and study of the related works in the second part and the third part, this paper summarizes the style characteristics of the keyboard concerto in the first half of the 18th century, and analyzes the influence of the keyboard concerto on the genre creation of the later generations.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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