斯特拉文斯基《彼得鲁什卡》织体音色结构探究

发布时间：2018-08-04 07:52

【摘要】：伊戈尔·菲德洛维奇·斯特拉文斯基(Igor Fyodorovich Stravinsky,1882-1971)作为二十世纪最有影响力的作曲家之一,他的作品不仅数量众多,并且音乐风格变化多端。他一生的创作可以体现出二十世纪音乐变革过程中各个时期的不同特点。芭蕾舞剧《彼得鲁什卡》是斯特拉文斯基早期创作的三部舞剧的其中之一,也是他个人风格逐步成型,音乐创作趋向成熟的一部重要作品。寻求生硬,怪诞,滑稽的音响、纵向织体音色的层次性以及横向织体音色的色彩性是这部作品的重要特征。本文将立足于管弦乐配器的角度,对《彼得鲁什卡》的音色对比和配器布局进行深入的分析和探究。本文由两个部分组成:第一部分简述作曲家生平、创作分期以及《彼得鲁什卡》的创作背景和创作特点。第二部分是本文的重点,主要从管弦乐配器的角度对作品中的乐队编制、音响资源特点、纵向织体的音色处理、横向结构的音色展衍以及配器布局等方面进行系统地考察。最后,对这部作品的织体音色结构特征做出一些概括性的总结。
[Abstract]:Igor Fedorovich Stravinsky (Igor Fyodorovich Stravinsky, 1882-1971), one of the most influential composers in the twentieth Century, has not only a large number of works, but also a variety of musical styles. His life creation can reflect the different characteristics of all times during the course of the twentieth Century music change. Ballet The dance drama < Peter rash > is one of the three early dance dramas created by Stravinsky. It is also an important work of the gradual shaping of his personal style and the maturity of the music creation. It is an important feature of this work to seek the hard, grotesque, funny sound of life, the level of the tone of the longitudinal fabric and the color of the transversal tone. Based on the angle of orchestral orchestration, this paper makes an in-depth analysis and exploration of the tone contrast and layout of Peter Lu Shi card. This article is composed of two parts: the first part is a brief description of the composer's life, the creation stage and the creative background and creative point of "Peter Lu Shi card >". The second part is the focus of this article, mainly from the string. The orchestration of music orchestration, the characteristics of the sound resources, the tone color processing of the longitudinal fabric, the tone color evolution of the transverse structure and the layout of the orchestration are systematically investigated. Finally, a general summary of the texture features of the fabric is made.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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