探索高男高音歌唱艺术在新创中国作品中的演唱特色

发布时间：2018-08-05 09:48

【摘要】：20世纪初叶美声歌唱艺术在中国兴起,它的歌唱声部划分为男高音、男中音、男低音、女高音、女中音、女低音这六个声部。而起源于欧洲传遍世界的传统美声歌唱艺术在声部的划分上应该为七个声部,即包含高男高音声部。高男高音(Countertenor)作为美声歌唱中不可缺少的演唱声部,历经了四个阶段:中世纪的圣咏、假声男高音(Falsetto tenor)时代、阉人歌手(Castrato)时代、高男高音复苏,高男高音声部如同其它歌唱声部一样遵循着美声歌唱的规律。本文着重以中国高男高音新创的中国作品为分析研究对象,对比分析国内外演唱作品、国内外优秀歌唱家,收集相关专业文献、学术论文、期刊、国内外音像等材料进行研究,充分展现高男高音歌唱艺术的演唱特色及其艺术魅力。本文除了绪论一共分作四大章,绪论部分简要说明了本论文所涉及研究领域的国内外研究现状。本论文所要解决的问题、研究方法、阐述研究工作在学术上及实际运用中的理论和实际意义。第一章主要叙述高男高音的历史沿革及其发展现状,结合推动其复苏及发展的古乐运动,以国内外优秀的高男高音歌唱家为代表,阐述现今高男高音的发展现状及趋势。第二章主要以三个小节阐述高男高音歌唱艺术的演唱特色。首先是高男高音声部的演唱有着独特的生理机能及心理因素,再以科学的气息运用、发声技巧、声音共鸣位置及不一样的混声比例等演唱技术。最后以高男高音与阉人歌唱家、假声男高音的联系及异同,对比分析高男高音独特的艺术感染力。第三章主要以新创中国作品的演绎来彰显高男高音歌唱艺术的演唱特色及魅力。新创作品的类别,分别是中国歌剧作品、富有中国诗词元素的声乐套曲及现代抒情作品。第四章是鉴于目前国内高男高音歌唱人才的现状,提出关于中国高男高音歌唱人才培养的构思,分析其必要性、可行性及培养观念和模式的更新。
[Abstract]:In the early 20th century, the art of beautiful singing rose in China. Its singing voice was divided into six parts: tenor, baritone, tenor, soprano, soprano and soprano. The traditional beautiful singing art originated from all over the world in Europe should be divided into seven parts, that is, the high tenor. High tenor (Countertenor), as an indispensable part of beautiful singing, has gone through four stages: medieval chanting, false tenor (Falsetto tenor) era, eunuch (Castrato) era, and high tenor recovery. The high tenor follows the law of beautiful singing just like other singing parts. This paper focuses on the new Chinese works with high tenor as the research object, compares and analyzes the domestic and foreign singing works, excellent singers at home and abroad, collects relevant professional literature, academic papers, periodicals, audio and video materials and so on at home and abroad. Fully demonstrate the singing characteristics and artistic charm of high tenor singing art. In addition to the introduction, this paper is divided into four chapters. The introduction briefly explains the domestic and foreign research status of the research field involved in this paper. In this paper, the problems to be solved, the research methods, and the theoretical and practical significance of the research work in academic and practical application are expounded. The first chapter mainly narrates the historical evolution and the present situation of the high tenor, combined with the ancient music movement which promotes its recovery and development, taking the excellent high tenor singer at home and abroad as the representative, expounds the present situation and the trend of the development of the high tenor. The second chapter mainly elaborates the singing characteristics of high tenor singing art in three sections. First of all, the singing of high tenor has its own physiological function and psychological factors, and then it uses scientific breath, vocal skills, sound resonance position and different mixing ratio and other singing techniques. Finally, the relationship and difference between high tenor and cauchan singer, false tenor and its unique artistic appeal are compared and analyzed. The third chapter shows the singing characteristics and charm of high tenor singing art with the deduction of newly created Chinese works. The categories of new works are Chinese operas, vocal music with Chinese poetic elements and modern lyric works. In the fourth chapter, in view of the present situation of high tenor singing talents in China, the author puts forward the conception of training high tenor singing talents in China, analyzes its necessity, feasibility and the renewal of training concept and mode.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616

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