肖邦与斯克里亚宾钢琴奏鸣曲比较研究与演奏诠释

发布时间：2018-08-06 18:21

【摘要】：弗里德里克·肖邦,是继巴赫、莫扎特、贝多芬等之后的又一位音乐巨人,他有着独特的音乐语汇,是19世纪浪漫派最重要的作曲家之一。肖邦的影响力在半个世纪之后依然深远,以俄国钢琴家、作曲家斯克里亚宾最为出众,他有着“二十世纪肖邦”之称,尤其是在其早期的音乐作品之中,非常明显的是从肖邦的作品中汲取“养分”。奏鸣曲在古典时期已确立了其基本形式,至浪漫派时期,在舒伯特、肖邦等作曲家的发展下,奏鸣曲较之于古典时期已有了很大的不同。斯克里亚宾既是神秘主义者也是无调性音乐的先驱,他独特的音乐语言可以在他的奏鸣曲中一一追溯。肖邦第二奏鸣曲op.35是肖邦创作成熟时期的代表作之一,表现得是强烈的爱国主义情感,该奏鸣曲由四个乐章组成,第一乐章奏鸣曲式,第二乐章谐谑曲,第三乐章是“葬礼进行曲”,第四乐章是快速简洁的乐章,它更像是一个结尾。斯克里亚宾第二奏鸣曲op.19是斯克里亚宾早期音乐的代表作之一,也是其创作转向成熟的标志,该奏鸣曲的创作灵感来自于海洋,是一首描写自然风景的奏鸣曲,只有两个乐章,第一乐章奏鸣曲式,第二乐章是快速的复三部曲式。肖邦第二奏鸣曲第一乐章展现了肖邦风格激烈斗争的一面,不再是夜曲,圆舞曲中展现的浪漫抒情,斯克里亚宾第二奏鸣曲第一乐章中某些方面有着深刻的肖邦印迹,但同时也暗含了其日后神秘主义风格的因子。这里从肖邦与斯克里亚宾的创作经历,两首奏鸣曲的创作背景以及其第一乐章的曲式、和声、节奏节拍等方面进行比较研究,分析两首作品的异同,进而理解作品的内涵,全面认识肖邦的音乐风格,以及斯克里亚宾对于肖邦音乐语言的继承发展,最后结合实际,从自身的演奏经验来诠释如何演绎这两首作品。
[Abstract]:Frederick Chopin is another music giant after Bach, Mozart and Beethoven. He has a unique musical vocabulary and is one of the most important Romantic composers in the 19th century. Chopin's influence remained profound half a century later, most notably by Russian pianist and composer Scriabin, who was known as "Chopin of the 20th Century," especially in his early musical works. It was very obvious that Chopin had drawn nutrients from his works. Sonata has established its basic form in the classical period, until the Romantic period, with the development of Schubert, Chopin and other composers, the sonata has been very different from the classical period. Scriabin is both a mystical and a pioneer of anatonic music. His unique musical language can be traced back to his sonatas. Chopin's second Sonata, op.35, is one of Chopin's masterpieces in the mature period of his creation, which is composed of four movements, the first movement sonata form, the second movement banter. The third movement is the funeral march, the fourth movement is a quick and concise movement, it is more like an end. Scriabin's second sonata, op.19, is one of the masterpieces of Scriabin's early music, and it is also a sign that his creation has turned to maturity. The sonata is inspired by the ocean and is a sonata describing natural scenery, with only two movements. The first movement sonata form, the second movement is the fast complex trilogy form. Chopin's second Sonata I shows a fierce struggle in Chopin's style, no longer a nocturne, a romantic lyricism in a waltz, and some aspects of Scriabin's sonata I have a profound Chopin imprint. But at the same time it also implied its later mysticism style factor. This paper makes a comparative study on the creative experience of Chopin and Scriabin, the background of the creation of the two sonatas as well as the form, harmony and rhythm of their first movement, and analyzes the similarities and differences between the two works, and then understands the connotation of the works. The author fully understands Chopin's musical style and Scriabin's inheritance and development of Chopin's musical language. Finally, combining with practice, he interprets how to deduce these two works from his own playing experience.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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