舒曼《d小调小提琴奏鸣曲》二重协作中钢琴声部演奏研究
发布时间：2018-08-07 07:49
【摘要】：室内乐是西方古典音乐创作和表演的一种艺术形式,通过对不同时期代表性作曲家室内乐作品的分析与研究,有助于演奏者了解不同时期作曲家的音乐创作风格,探寻其音乐作品的演奏技术特征的同时掌握室内乐这种音乐形式的音乐表演规律。舒曼作为欧洲19世纪浪漫派音乐领域的领军人物,一生创作了众多耳熟能详的音乐作品,其中尤以钢琴作品和声乐套曲最为著名。而他的《d小调小提琴奏鸣曲》(Op.121)也是众多室内乐文献中的典范之作。笔者在本文中选取这部经典的室内乐作品为研究对象,拟通过自身的钢琴演奏艺术实践和与小提琴声部的艺术合作,力求在演奏二重奏形式的室内乐作品中获得更多的艺术体验和实践经验,在此基础上对钢琴与小提琴在二重奏合作艺术进行理论的阐释与研究。本文共分为三章,第一章为舒曼及其《d小调小提琴奏鸣曲》,主要介绍舒曼生平和他的室内乐作品创作概况,并对《d小调小提琴奏鸣曲》加以概述;第二章为舒曼《d小调小提琴奏鸣曲》二重协作性分析,这一部分拟通过,对舒曼的创作特征加以诠释,深化解读这一作品中小提琴与钢琴声部的合作要点;第三章是针对钢琴声部的演奏处理进行分析,结合笔者自身的实践体验,立足曲目本体的音乐表情术语,对钢琴声部的演奏及小提琴与钢琴声部音乐的关联性进行分析论证。
[Abstract]:Chamber music is an artistic form of western classical music creation and performance. Through the analysis and study of the chamber music works of representative composers of different periods, it is helpful for players to understand the composers' musical creation styles in different periods. To explore the technical characteristics of his musical works and master the musical performance law of chamber music. Schumann, as a leading figure in the romantic music field in Europe in the 19th century, created many familiar musical works, especially piano works and vocal ensemble. His Violin Sonata in D minor (Op.121) is also a model in many chamber music literature. In this paper, the author chooses this classical chamber music work as the research object, through its own piano playing art practice and the art cooperation with the violin voice, This paper tries to gain more artistic experience and practical experience in chamber music in the form of playing duet, on the basis of which the theoretical interpretation and research on the art of piano and violin cooperation in duet are carried out. This paper is divided into three chapters. The first chapter is Schumann and his Violin Sonata in D minor. It mainly introduces Schumann's life and his chamber music works, and summarizes the Violin Sonata in D minor. The second chapter is Schumann's violin sonata in d minor. This part is intended to explain Schumann's creative characteristics, and to deepen the interpretation of the cooperation between violin and piano in this work. The third chapter is the analysis of the piano performance processing, combined with the author's own practical experience, based on the music expression terms of the repertoire Noumenon, to analyze the piano performance and the relationship between the violin and piano voice music.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1;J622.1
[Abstract]:Chamber music is an artistic form of western classical music creation and performance. Through the analysis and study of the chamber music works of representative composers of different periods, it is helpful for players to understand the composers' musical creation styles in different periods. To explore the technical characteristics of his musical works and master the musical performance law of chamber music. Schumann, as a leading figure in the romantic music field in Europe in the 19th century, created many familiar musical works, especially piano works and vocal ensemble. His Violin Sonata in D minor (Op.121) is also a model in many chamber music literature. In this paper, the author chooses this classical chamber music work as the research object, through its own piano playing art practice and the art cooperation with the violin voice, This paper tries to gain more artistic experience and practical experience in chamber music in the form of playing duet, on the basis of which the theoretical interpretation and research on the art of piano and violin cooperation in duet are carried out. This paper is divided into three chapters. The first chapter is Schumann and his Violin Sonata in D minor. It mainly introduces Schumann's life and his chamber music works, and summarizes the Violin Sonata in D minor. The second chapter is Schumann's violin sonata in d minor. This part is intended to explain Schumann's creative characteristics, and to deepen the interpretation of the cooperation between violin and piano in this work. The third chapter is the analysis of the piano performance processing, combined with the author's own practical experience, based on the music expression terms of the repertoire Noumenon, to analyze the piano performance and the relationship between the violin and piano voice music.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1;J622.1
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3 谢s，
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