论朱践耳钢琴组曲中的“递延”思维
发布时间:2018-08-08 10:48
【摘要】:借用"递延"这一概念,以著名作曲家朱践耳的两部钢琴组曲为主要对象进行了专门性的分析和研究,揭示了作品在原民歌的归属地域分布、音乐意象、表现手法、调性布局四个方面皆存在着"递延"思维,并对这一思维的运用特点与表现方式作了较为深入的探讨。既为研究朱践耳钢琴音乐创作提供了新的视角,也由此引申出"递延"思维不论是用于音乐作品的形式分析还是创作中的形式建构,皆具有启发意义。
[Abstract]:Based on the concept of "deferred", this paper analyzes and studies two piano suites by famous composer Zhu Jianer, and reveals the distribution of the works in the original folk songs, the music image and the expression techniques. There is "deferred" thinking in all four aspects of tonality layout, and the application characteristics and expression mode of this thinking are discussed deeply. It not only provides a new angle of view for the study of Zhu Jianer's piano music creation, but also leads to the "deferred" thinking, whether it is used in the form analysis of music works or in the form construction in creation, which is of enlightening significance.
【作者单位】: 福建师范大学;
【基金】:2011年度教育部人文社会科学研究青年基金项目“‘海派'钢琴音乐文化研究”(编号:11YJC760075)研究成果
【分类号】:J624.1
本文编号:2171553
[Abstract]:Based on the concept of "deferred", this paper analyzes and studies two piano suites by famous composer Zhu Jianer, and reveals the distribution of the works in the original folk songs, the music image and the expression techniques. There is "deferred" thinking in all four aspects of tonality layout, and the application characteristics and expression mode of this thinking are discussed deeply. It not only provides a new angle of view for the study of Zhu Jianer's piano music creation, but also leads to the "deferred" thinking, whether it is used in the form analysis of music works or in the form construction in creation, which is of enlightening significance.
【作者单位】: 福建师范大学;
【基金】:2011年度教育部人文社会科学研究青年基金项目“‘海派'钢琴音乐文化研究”(编号:11YJC760075)研究成果
【分类号】:J624.1
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