“亡国恨”与“后庭花”——战时语境下“何日君再来”的浮沉
发布时间：2018-08-08 13:38
【摘要】：诞生于战时上海的歌曲"何日君再来"作为影片《三星伴月》的插曲由周璇演唱后盛行沪上,并成为因日军政治高压而言论空间受限、空气沉闷的"孤岛"中人们苦闷情绪的调节剂。同时,该曲也被改换歌词借以宣传抗战或被赋以租界中无法直接表达之抗日思想,最终遭遇国民政府的禁令。但屡禁不止则显示政治试图控制文艺的徒劳。
[Abstract]:The song "Ho Jun again", born in the wartime Shanghai, as the film "the moon of Samsung", as an interlude with Zhou Xuan, was popular in Shanghai after singing, and became a modifier in the depressed mood of the "island" because of the political pressure of the Japanese army and the depressing "Island" of the air. The direct expression of anti-Japanese ideology was eventually banned by the Kuomintang government, but repeated prohibitions showed the futility of political attempts to control literature and art.
【作者单位】： 东北师范大学外国语学院;复旦大学外文学院;
【分类号】：J605
本文编号：2171951
[Abstract]:The song "Ho Jun again", born in the wartime Shanghai, as the film "the moon of Samsung", as an interlude with Zhou Xuan, was popular in Shanghai after singing, and became a modifier in the depressed mood of the "island" because of the political pressure of the Japanese army and the depressing "Island" of the air. The direct expression of anti-Japanese ideology was eventually banned by the Kuomintang government, but repeated prohibitions showed the futility of political attempts to control literature and art.
【作者单位】： 东北师范大学外国语学院;复旦大学外文学院;
【分类号】：J605
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