《香莲帕》研究
发布时间：2018-08-14 10:35
【摘要】：《香莲帕》,又名《忠义传》《忠义传香莲帕》,是清代宫廷承应戏之一种。它除却与御制宫廷大戏所共同具有的凸显词臣奉诏编写时以史为鉴的政治目的,也着力彰显另一主题以“香莲帕”为信物的男女主人公的曲折情缘。演剧方面,《香莲帕》在清代宫廷和民间时有演出,是四喜班代表剧目之一,在当代不同地方剧种以及各种曲艺中都有曲目留存,作为在清代宫廷搬演的连台本戏之一,在民间也以不同形式演出流传。《香莲帕》的故事是发生在明穆宗年间,虽有历史人物,但题材也是“三分史实七分虚构”,故事来源于鼓词。清代以后鼓词演唱兴盛,《香莲帕》先以“鼓词”形式出现,后被改编成了连台本戏,另外它的改编也应受到了民间评话、说唱等的影响。《香莲帕》的剧本来源主要有三处,清宫廷档案戏曲资料、北京车王府以及周信芳先生收藏的曲本。本文主要以清宫戏曲档案为研究的主体材料,以宫廷抄本的文本分析和宫廷演剧情况为研究的重点,通过运用比较研究、综合分析等方法,将升平署档案中有关本剧的演出人员、时间、地点情况摘录整理,了解各朝代演出特点,分析历经数朝演出留下的不同演出脚本,同时将当代这个剧目在各地方的演出情况纳入研究。本文开端简要介绍《香莲帕》的故事梗概,结合前人对本剧剧史的考证及研究结论,通过与鼓词《香莲帕》的出目比较、故事情节比较等,来考察《香莲帕》故事来源。通过对当前保存下来《香莲帕》曲本资料的搜集,将《香莲帕》按宫廷、车王府、个人收藏三处不同的曲本来源进行分类,清宫存有总本、提纲、串头、曲谱四种不同版本,民间有车王府本和周信芳藏本两种版本留存。继而在版本情况梳理的基础上进行具体的文本研究,从剧本的文学性出发,分析《香莲帕》的主要思想内容、剧本呈现的价值倾向,了解整部连本戏对忠君、劝谏等传统思想的承袭。通过文本细读,分析剧本的关目设置、情节结构,了解剧本中对一众英雄群像的刻画、主要人物形象的塑造及曲词念白的语言特点。并进行两种不同曲本的比较,得出宫廷曲本基于统治者观看的要求在情节内容上的表现的侧重点与其他曲本的不同之处,以及曲词艺术上呈现的雅俗差异。同时文本分析也为了解它的演出情况做好铺垫。最后一部分是《香莲帕》的演出研究,通过对升平署档案有关《香莲帕》演出记录的摘录整理,对宫中演出本剧的时间、演员承应地点作出统计,得出《香莲帕》在道光、光绪朝均有演出,演出时间上规律为朔望承应,演员主要以内学为主。以宫中演出的实际情况主要线索,探讨道光、光绪朝演出脚本的脚色设置、宫调曲牌特点,结合脚色设置、舞台场面调度等的分析深入了解其演出特点。以清代宫中演出情况为侧重点,再整理自清代以来本剧在各个地方的一些演出情况。以期通过以上所述几个方面对《香莲帕》这部连台本戏作出全面系统的分析。
[Abstract]:Xianglian Pa, also known as the Legend of loyalty and righteousness, is one of the imperial operas in the Qing Dynasty. Apart from the political purpose of taking history as a mirror when the imperial court drama was written, it also emphasized the tortuous relationship of the protagonists and heroines whose theme was "Xianglian Pa". In terms of performance, "Xianglian Pa" was performed at the court of the Qing Dynasty and among the people. It is one of the representative plays of the four Xi classes. It has repertoire in different parts of the contemporary era and in all kinds of musical arts. It is one of the Lianpian operas that were performed in the court of the Qing Dynasty. The story of "Xiang Lianpa" took place during the Ming Dynasty. Although there were historical figures, the subject matter was also "three historical facts and seven points of fiction", and the story came from drum ci. After the Qing Dynasty, the singing of drum lyrics flourished. "Xianglian Pa" first appeared in the form of "drum ci", then it was adapted into a Lianbian opera. In addition, its adaptation should also be influenced by folk criticism, rap and singing. There are three main sources for the script of "Xianglian Pa". Qing court archives of opera materials, Beijing Cha Wang Fu and Mr. Zhou Xinfang collection of songs. This article mainly takes the Qing palace opera archives as the main research material, takes the court transcript text analysis and the court drama situation as the research emphases, through the use of comparative study, comprehensive analysis and other methods. Collate the excerpts of the performers, time and place of the drama from the files of the Shengping Administration, understand the performances of various dynasties, and analyze the different performance scripts left behind by several Korean performances. At the same time, the contemporary performance of this repertoire in various places into the study. This paper begins with a brief introduction to the outline of the story of "Xiang Lianpa", combined with the textual research and research conclusions of previous works on the history of the drama, and through the comparison of the eyes and the plot of the story with the drum ci "Xianglian Pa", to investigate the source of the story of "Xiang Lianpa". By collecting the data of the qu Ben that has been preserved at present, the "Xiang Lianpa" has been classified according to three different sources, namely, the palace, the Cher Wang Fu, and the personal collection. There are four different versions of the total edition, the outline, the string head, and the composition of the Qing Palace. There are two versions of the Folk Che House and the Zhou Xinfang Collection. Then on the basis of combing the version of the text, from the perspective of the literariness of the script, this paper analyzes the main ideological content of "Xianglian Pa", the value tendency of the script, and understands that the whole Lianben Opera is loyal to the emperor. The inheritance of traditional ideas such as persuasion. Through the careful reading of the text, this paper analyzes the setting of the relevant items, the plot structure, the depiction of a group of heroes in the script, the portrayal of the main characters and the language characteristics of the chanting of the lyrics. By comparing the two kinds of songs, the author draws the conclusion that the court qu is based on the requirements of the ruler's viewing, and the emphasis of the performance in the content of the plot is different from that of the other ones, as well as the differences of elegance and vulgarity in the art of song ci. At the same time, text analysis is also for understanding its performance to do a good job. The last part is the study of the performance of "Xiang Lianpa". Through the collation of excerpts from the archives of the Shengping Administration on the performance records of the "Xianglian Pa", statistics were made on the time and the place of acceptance of the performance of this play in the palace, and the result was that the "Xiang Lianpa" was in Dao Guang. Guang Xu all have performances, performance time for the Shuo-Wang Chengying, actors mainly to learn from the main. Based on the main clues of the actual situation of the performance in Miyongzhong, this paper probes into the characteristics of Daoguang, the setting of the play script of Guang Xu, the characteristics of the palace tunes, and the analysis of the setting of the color of the play and the scheduling of the stage scene, etc. Focusing on the performance in the Qing Dynasty, this play has been performed in various places since the Qing Dynasty. The purpose of this paper is to make a comprehensive and systematic analysis of Xianglianpa this Liantai opera through the above mentioned several aspects.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2
[Abstract]:Xianglian Pa, also known as the Legend of loyalty and righteousness, is one of the imperial operas in the Qing Dynasty. Apart from the political purpose of taking history as a mirror when the imperial court drama was written, it also emphasized the tortuous relationship of the protagonists and heroines whose theme was "Xianglian Pa". In terms of performance, "Xianglian Pa" was performed at the court of the Qing Dynasty and among the people. It is one of the representative plays of the four Xi classes. It has repertoire in different parts of the contemporary era and in all kinds of musical arts. It is one of the Lianpian operas that were performed in the court of the Qing Dynasty. The story of "Xiang Lianpa" took place during the Ming Dynasty. Although there were historical figures, the subject matter was also "three historical facts and seven points of fiction", and the story came from drum ci. After the Qing Dynasty, the singing of drum lyrics flourished. "Xianglian Pa" first appeared in the form of "drum ci", then it was adapted into a Lianbian opera. In addition, its adaptation should also be influenced by folk criticism, rap and singing. There are three main sources for the script of "Xianglian Pa". Qing court archives of opera materials, Beijing Cha Wang Fu and Mr. Zhou Xinfang collection of songs. This article mainly takes the Qing palace opera archives as the main research material, takes the court transcript text analysis and the court drama situation as the research emphases, through the use of comparative study, comprehensive analysis and other methods. Collate the excerpts of the performers, time and place of the drama from the files of the Shengping Administration, understand the performances of various dynasties, and analyze the different performance scripts left behind by several Korean performances. At the same time, the contemporary performance of this repertoire in various places into the study. This paper begins with a brief introduction to the outline of the story of "Xiang Lianpa", combined with the textual research and research conclusions of previous works on the history of the drama, and through the comparison of the eyes and the plot of the story with the drum ci "Xianglian Pa", to investigate the source of the story of "Xiang Lianpa". By collecting the data of the qu Ben that has been preserved at present, the "Xiang Lianpa" has been classified according to three different sources, namely, the palace, the Cher Wang Fu, and the personal collection. There are four different versions of the total edition, the outline, the string head, and the composition of the Qing Palace. There are two versions of the Folk Che House and the Zhou Xinfang Collection. Then on the basis of combing the version of the text, from the perspective of the literariness of the script, this paper analyzes the main ideological content of "Xianglian Pa", the value tendency of the script, and understands that the whole Lianben Opera is loyal to the emperor. The inheritance of traditional ideas such as persuasion. Through the careful reading of the text, this paper analyzes the setting of the relevant items, the plot structure, the depiction of a group of heroes in the script, the portrayal of the main characters and the language characteristics of the chanting of the lyrics. By comparing the two kinds of songs, the author draws the conclusion that the court qu is based on the requirements of the ruler's viewing, and the emphasis of the performance in the content of the plot is different from that of the other ones, as well as the differences of elegance and vulgarity in the art of song ci. At the same time, text analysis is also for understanding its performance to do a good job. The last part is the study of the performance of "Xiang Lianpa". Through the collation of excerpts from the archives of the Shengping Administration on the performance records of the "Xianglian Pa", statistics were made on the time and the place of acceptance of the performance of this play in the palace, and the result was that the "Xiang Lianpa" was in Dao Guang. Guang Xu all have performances, performance time for the Shuo-Wang Chengying, actors mainly to learn from the main. Based on the main clues of the actual situation of the performance in Miyongzhong, this paper probes into the characteristics of Daoguang, the setting of the play script of Guang Xu, the characteristics of the palace tunes, and the analysis of the setting of the color of the play and the scheduling of the stage scene, etc. Focusing on the performance in the Qing Dynasty, this play has been performed in various places since the Qing Dynasty. The purpose of this paper is to make a comprehensive and systematic analysis of Xianglianpa this Liantai opera through the above mentioned several aspects.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2
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