论竹笛协奏曲《鹰之恋》
发布时间：2018-08-14 17:38
【摘要】：《鹰之恋》作为早期深具少数民族特色的竹笛协奏曲,从其独特的少数民族风味到作品的演奏都值得广大的竹笛爱好者去深入研究和探讨。本文章分为六个章节,来分别讨论这个作品。第一部分通过对《鹰之恋》创作的时代背景、作曲家及作曲家的创作意图的分析来阐述这个作品的由来,同时也是通过了解这首作品的由来定位这首作品的时代意义。第二个章节主要深究其内在的新疆少数民族的音乐元素,主要是针对作品取材个性和共性的分析,也就是作品中塔吉克民族音乐的个性的存在和新疆整体少数民族音乐共性的存在。通过其取材的分析来定位整个作品的民族内涵和民族意义。第三章是和同类风格作品《帕米尔的春天》的对比分析。通过深究两者的异同来更好的突出《鹰之恋》这首作品在同类型竹笛作品中的个性和共性。第四章和第五章是对演奏者在具体演奏中可能遇见的演奏问题和处理办法的一些探讨。力图从演奏中去论证和阐述这个作品的现实意义。第六章,是对这首作品时代意义、民族意义和现实意义的总结和补足。
[Abstract]:As an early concerto of bamboo flute with the characteristics of ethnic minorities, Eagle Love is worthy of further study and discussion by the broad masses of bamboo flute lovers, from its unique minority flavor to the performance of their works. This article is divided into six chapters to discuss this work separately. The first part expounds the origin of this work through the analysis of the background of the creation of the Eagle and the intention of the composer and the composer. At the same time, it defines the significance of the work by understanding the origin of the work. The second chapter mainly explores the musical elements of the Xinjiang ethnic minorities, which is mainly aimed at the analysis of the individuality and commonness of the works. This is the existence of the individuality of Tajik national music and the existence of the general character of the whole minority music in Xinjiang. Through the analysis of its material to locate the national connotation and national significance of the whole work. The third chapter is the comparative analysis with the similar style works, "the Spring of Pamir". By studying the similarities and differences of the two works, the author better highlights the individuality and commonness of this work in the works of bamboo flute of the same type. The fourth and fifth chapters discuss the problems and solutions that the players may meet in the performance. Try to demonstrate and expound the realistic meaning of this work from playing. Chapter six summarizes and complements the significance of the time, nation and reality of this work.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11
本文编号：2183610
[Abstract]:As an early concerto of bamboo flute with the characteristics of ethnic minorities, Eagle Love is worthy of further study and discussion by the broad masses of bamboo flute lovers, from its unique minority flavor to the performance of their works. This article is divided into six chapters to discuss this work separately. The first part expounds the origin of this work through the analysis of the background of the creation of the Eagle and the intention of the composer and the composer. At the same time, it defines the significance of the work by understanding the origin of the work. The second chapter mainly explores the musical elements of the Xinjiang ethnic minorities, which is mainly aimed at the analysis of the individuality and commonness of the works. This is the existence of the individuality of Tajik national music and the existence of the general character of the whole minority music in Xinjiang. Through the analysis of its material to locate the national connotation and national significance of the whole work. The third chapter is the comparative analysis with the similar style works, "the Spring of Pamir". By studying the similarities and differences of the two works, the author better highlights the individuality and commonness of this work in the works of bamboo flute of the same type. The fourth and fifth chapters discuss the problems and solutions that the players may meet in the performance. Try to demonstrate and expound the realistic meaning of this work from playing. Chapter six summarizes and complements the significance of the time, nation and reality of this work.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11
【参考文献】
相关期刊论文 前2条
1 刘再生;;根植传统 求新求变——听刘文金民族音乐作品音乐会有感[J];人民音乐;2006年05期
2 吴红非;刘文金二胡作品的题材、技法和体裁[J];中国音乐;2003年04期
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