大爱天音—关峡《大地安魂曲》调性思维与多声结构分析

发布时间：2018-09-06 15:07

【摘要】：关峡,出生于1957年,是我国当代著名的作曲家之一,《大地安魂曲》是他2008年受中宣部、文化部委派赶赴四川省汶川地震灾区体验生活后而创作的一部大型交响作品,完成于2009年。并于2009年5月12日在中国大剧院音乐厅首演。本文拟从这部作品的体裁、调性思维、多声结构形态层面,以及作品中的声乐艺术和哲学思想进行分析研究。文章共四个章节,可以划分为三个部分。第一部分即第一章,主要针对中西方“安魂曲”的体裁比较研究,分两节,第一节阐述中西方安魂曲的发展历程,以及“安魂曲”与中国民间的丧葬音乐艺术之间的联系。第二节主要研究《大地安魂曲》是如何运用安魂曲体裁结构进行创作的,阐述了作品对西方安魂曲体裁的借鉴,以及对中国民间丧葬音乐艺术的升华。第二部分主要是针对作曲技法层面的分析研究,包括第二章的调性思维特征和第三章的多声结构形态两个章节。第二章的调性思维特征包括四节,第一节阐述作品整体的曲式结构和调性布局。第二节主要从功能性调性结构与色彩性调性结构两个方面对作品中第一乐章和第二乐章中典型的器乐性调性思维进行分析探讨。第三节主要针对作品第三、四乐章中声乐性调性思维所形成的首尾调性的不统一进行探讨。第四节中主要就作品第二乐章声乐陈述部分的器乐性调性思维的渗透进行探讨。第三章的多声结构形态也包括两节,第一节主要针对《大地安魂曲》中的和声语言进行分析,对作品中的功能性和声进行与色彩性和声进行,以及功能性和声在我国五声性调式中的运用加以分析,另外对作品中和弦材料的具体结构组织进行分类阐述。第二节则主要从乐种之间音色的角度对作品中相同乐种中不同的乐器之间所形成的复调织体、不同乐种之间所形成的复调织体、混声合唱中所形成的复调织体,以及声乐与器乐之间所形成的复调织体进行具体论述。第三部分即本文的第四章,其中,第一节阐述了《大地安魂曲》中所呈现的声乐艺术。第二节主要阐述《大地安魂曲》这部作品中所暗含的哲学思想。通过对《大地安魂曲》的研究分析,试图从西方安魂曲、中国民间“安魂曲”以及中国专业层面安魂曲题材入手,在作曲技法的相关层面上对《大地安魂曲》进行诠释。
[Abstract]:Guanxia, born in 1957, is one of the most famous contemporary composers in China. "Requiem of the Earth" is a large-scale symphonic work he created in 2008 by the propaganda Department of the CPC Central Committee and the Ministry of Culture sent to the Wenchuan earthquake disaster area in Sichuan Province to experience life. Completed in 2009. It premiered at the Concert Hall of the Chinese Grand Theater on May 12, 2009. This paper intends to analyze and study the genre, tonal thinking, multi-sound structure, and the artistic and philosophical ideas of vocal music in this work. The article has four chapters, which can be divided into three parts. The first part is the first chapter, mainly focusing on the comparative study of Chinese and Western "Requiem" genre, divided into two sections, the first section describes the development of Chinese and Western Requiem, as well as the relationship between "Requiem" and Chinese folk funerary music art. The second section mainly studies how to use the structure of Requiem genre to create the Requiem genre. It expounds the reference of the works to the western Requiem genre and the sublimation of the Chinese folk funeral music art. The second part is mainly aimed at the composition technique level analysis research, including the second chapter tonality thinking characteristic and the third chapter multi-sound structure shape two chapters. The second chapter consists of four sections, the first section describes the overall musical structure and tonal layout of the work. The second section mainly analyzes and discusses the instrumental tonal thinking in the first movement and the second movement from the two aspects of the functional tonality structure and the color tonality structure. The third section mainly discusses the disunity of the first and last tone in the third and fourth movement. The fourth section mainly discusses the penetration of instrumental tonal thinking in the second movement. The third chapter of the multi-sound structure form also includes two sections. The first section mainly focuses on the analysis of the harmony language in the Requiem of the Earth, and carries on the functional harmony and the color harmony in the works. The application of functional harmony in Chinese pentatonic mode is analyzed, and the concrete structure of chord material in the works is classified and expounded. In the second section, the polyphonic texture formed between different musical instruments in the same musical species, the polyphonic texture formed between different music species, and the polyphonic texture formed in the mixed chorus are mainly analyzed from the angle of timbre between different music species. The polyphonic texture formed between vocal music and instrumental music is discussed in detail. The third part is the fourth chapter of this paper, in which, the first section expounds the vocal music art presented in Requiem of the Earth. The second section mainly expounds the philosophical thoughts implied in the work of the Requiem of the Earth. Through the research and analysis of the Requiem of the Earth, this paper attempts to interpret the Requiem of the Earth on the related level of composing techniques from the perspective of the Western Requiem, the Chinese Folk Requiem and the subject matter of the Chinese Professional Requiem.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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