浅析对印象主义与表现主义钢琴作品的理解与演奏技巧
发布时间：2018-09-06 15:41
【摘要】：学习20世纪初期印象主义与表现主义钢琴作品是专业钢琴学习者的必经之路。本文以研究这两大主义钢琴音乐的思想内涵和演奏技巧为目的,通过以社会学、哲学、美学等角度挖掘其所处时代的特殊风貌与作曲家的个人经历及思想特征。并针对两大主义重要作曲家德彪西和勋伯格的具体钢琴作品进行细致分析,力求找到更科学的演奏技巧和音乐处理方法。对两大主义同时进行研究,不仅利于对比,也利于找出钢琴艺术发展的共性,探讨两大主义互为矛盾的风格下蕴藏的统一性。作为现代主义的两大基石,把握印象主义与表现主义钢琴艺术风格对进一步学习更为现代的钢琴作品大有裨益。
[Abstract]:Learning the piano works of impressionism and expressionism in the early 20th century is the only way for professional piano learners. The purpose of this paper is to study the ideological connotation and playing skills of the two piano music, and to explore the special style of the era and the personal experience and ideological characteristics of the composer from the angles of sociology, philosophy, aesthetics and so on. And the two important composers Debussy and Schoenberg made a detailed analysis of the specific piano works in order to find more scientific playing techniques and music processing methods. The study of the two doctrines at the same time is not only conducive to comparison, but also conducive to finding out the common features of the development of piano art, and to explore the unity of the two doctrines under the contradictory style. As the two cornerstones of modernism, grasping the piano art style of impressionism and expressionism is of great benefit to the further study of more modern piano works.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J624.1
，
本文编号：2226800
[Abstract]:Learning the piano works of impressionism and expressionism in the early 20th century is the only way for professional piano learners. The purpose of this paper is to study the ideological connotation and playing skills of the two piano music, and to explore the special style of the era and the personal experience and ideological characteristics of the composer from the angles of sociology, philosophy, aesthetics and so on. And the two important composers Debussy and Schoenberg made a detailed analysis of the specific piano works in order to find more scientific playing techniques and music processing methods. The study of the two doctrines at the same time is not only conducive to comparison, but also conducive to finding out the common features of the development of piano art, and to explore the unity of the two doctrines under the contradictory style. As the two cornerstones of modernism, grasping the piano art style of impressionism and expressionism is of great benefit to the further study of more modern piano works.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J624.1
，
本文编号：2226800
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