古拜杜琳娜作品《领悟》之九中微分音的分析
发布时间：2018-10-14 17:22
【摘要】：20世纪以来,在音高领域作曲家们在十二音的基础上继续拓展,形成1/4或者1/8、1/16、3/4音、微升、微降等音级,这些微小音高、音程的使用,笼统称为微分音。运用微分音创作的代表性作曲家有美国作曲家艾夫斯、捷克作曲家哈巴等人,至俄裔德籍作曲家古拜杜琳娜时获得体系化的发展。《领悟》是作曲家20世纪80年代初创作的一部人声与乐队的作品,共十三个乐章,标志着作曲家创作重心的转移。其中,在第九乐章"我"中,作曲家在音高拓展方面使用将微分音,以经过性或辅助性方式对微分音进行处理,使其在旋律中具有"变化音"性质。为其后期微分音音高体系的建立打下良好基础。在内容上帮助作曲家实现了运用音乐与诗人的隔空对话。
[Abstract]:Since the 20th century, composers in the field of pitch have continued to expand on the basis of twelve tones to form a 1 / 4 or 1 / 8 / 1 / 1 / 16 / 3 / 4, slightly ascending, slightly descending, and the use of these tiny pitches and intervals is generally referred to as differential sounds. Representative composers who use differential sound to create works include American composer Ives, Czech composer Haba and others. The German composer of Russian descent, Gubaidulina, achieved a systematic development when she was born in Germany. Comprehension is a composer's work of voice and band in the early 1980s, with thirteen movements, indicating the shift of the composer's creative center of gravity. Among them, in the ninth movement I, the composer uses the differential tone in the aspect of pitch expansion, and processes the differential sound in the way of passing or auxiliary, so that it has the character of "change sound" in the melody. It lays a good foundation for the establishment of differential pitch system. In terms of content, it helps composers to achieve a dialogue between music and poets.
【作者单位】： 南京艺术学院;苏州科技大学音乐学院;
【基金】：2016年度江苏省博士后基金项目,项目编号:1601035C 2016江苏省高校哲学社会科学研究项目:“古拜杜琳娜音乐中的音高思维研究”,编号:2016SJB760070
【分类号】：J614
[Abstract]:Since the 20th century, composers in the field of pitch have continued to expand on the basis of twelve tones to form a 1 / 4 or 1 / 8 / 1 / 1 / 16 / 3 / 4, slightly ascending, slightly descending, and the use of these tiny pitches and intervals is generally referred to as differential sounds. Representative composers who use differential sound to create works include American composer Ives, Czech composer Haba and others. The German composer of Russian descent, Gubaidulina, achieved a systematic development when she was born in Germany. Comprehension is a composer's work of voice and band in the early 1980s, with thirteen movements, indicating the shift of the composer's creative center of gravity. Among them, in the ninth movement I, the composer uses the differential tone in the aspect of pitch expansion, and processes the differential sound in the way of passing or auxiliary, so that it has the character of "change sound" in the melody. It lays a good foundation for the establishment of differential pitch system. In terms of content, it helps composers to achieve a dialogue between music and poets.
【作者单位】： 南京艺术学院;苏州科技大学音乐学院;
【基金】：2016年度江苏省博士后基金项目,项目编号:1601035C 2016江苏省高校哲学社会科学研究项目:“古拜杜琳娜音乐中的音高思维研究”,编号:2016SJB760070
【分类号】：J614
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