一个音也可以做出很多文章——秦文
发布时间：2018-11-11 18:32
【摘要】：长调、宗教与自然是秦文琛创作的表达主体,它们常被转化为特定的作曲技术手段构成个人标志性语汇。本文以《际之响》为例,以B音的贯穿发展为线索,通过基础音响建立、音响组织逻辑与发展、高潮音响造型和音色音响总特征等方面的研究,阐述作曲家"单音"语汇在该作品中的技法特征及音响效果,再将分析结果追溯至蒙藏传统音乐中,说明影响秦文琛创作风格的人文根源。
[Abstract]:In the long tune, religion and nature are the expression subjects of Qin Wenchen's creation, which are often transformed into specific composing techniques to form a personal iconic vocabulary. This paper takes "the sound of the world" as an example, takes the penetrating development of B-tone as the clue, studies the basic sound establishment, the sound organization logic and the development, the climax sound modelling and the timbre sound general characteristic and so on. This paper expounds the technical features and sound effects of the composer's monosyllabic vocabulary in this work, and then traces the analysis results to the traditional music of Mongolia and Tibet, and explains the humanistic roots that affect Qin Wenchen's creative style.
【作者单位】： 中国音乐学院作曲系作品分析教研室;
【分类号】：J614
本文编号：2325756
[Abstract]:In the long tune, religion and nature are the expression subjects of Qin Wenchen's creation, which are often transformed into specific composing techniques to form a personal iconic vocabulary. This paper takes "the sound of the world" as an example, takes the penetrating development of B-tone as the clue, studies the basic sound establishment, the sound organization logic and the development, the climax sound modelling and the timbre sound general characteristic and so on. This paper expounds the technical features and sound effects of the composer's monosyllabic vocabulary in this work, and then traces the analysis results to the traditional music of Mongolia and Tibet, and explains the humanistic roots that affect Qin Wenchen's creative style.
【作者单位】： 中国音乐学院作曲系作品分析教研室;
【分类号】：J614
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本文编号：2325756
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