大学生古琴音乐情绪识别的比较研究
发布时间：2018-11-11 21:48
【摘要】：中华民族音乐文化自其发端(远及先秦下至明清)都从未中断过对外的交流与传播,并在此交融的过程中得到丰富与更为多元的发展。时至当下,伴随着国门的打开,综合国力的不断增强,中华民族音乐文化正通过更为现代、多元化的途径,全方位地走向世界。被誉为“八音”之首的古琴是一件古老而具有神秘色彩的乐器。它既承载着我国近三千年的历史文化,又被赋予着一种教化人心的音乐艺术功能。中国的古琴音乐是“文人音乐”的代表,内容博大精深,是中国传统音乐的精华所在。古代文人墨客无不钟爱于古琴,他们借琴抒发自己内心的情怀,并且认为古琴具有“养心”的功能。近年来,随着古琴非物质文化遗产申报成功,越来越多的人们开始关注古琴,也希望通过学习和聆听实现心灵放松、缓解压力等作用。然而随着时代发展,古琴这一艺术与广大人民群众的思想感情联系相距愈大,没有更贴切的内容为现代人所需。在中西音乐交流中,古琴一直囿于以“异国情调”的“他者”形象存在于对方文化视野中。在这个日益全球化的世界,古琴音乐想要更长足的发展,必须要抒古韵于新声,追传统于未来。本文在前人已有研究基础上,选取一些具有代表性古琴曲进行实验测试。结合实验测试结果与理论研究进行综合分析,探讨中西大学生对古琴音乐情绪的识别,得出如下结论:1、中西方大学生被试对古琴音乐情绪识别大多只存在程度上的差异,类型上的差异较小。中西被试识别古琴音乐情绪时,曲目所表达的积极情绪能较容易识别出来。两类被试识别古琴音乐情绪的数据偏差,在积极情绪强烈的曲目是最小的,其次是中等情绪曲目,偏差最大的是消极情绪强烈曲目。2、琴曲的音区、速度对中西大学生被试的情绪识别有很大影响。琴曲音区越高,识别到的情绪色彩越来越明亮,两类被试识别的情绪偏差越来越小;琴曲速度越快,识别到的情绪色彩越来越明亮,两类被试识别的情绪偏差越来越小;琴曲音区的影响力相比速度对被试的情绪识别影响较小。
[Abstract]:The music culture of the Chinese nation has never stopped the communication and dissemination since its origin (far from the Qin Dynasty to the Ming and Qing dynasties), and has been rich and more diversified in the process of blending. From time to time, with the opening of the country and the increasing of the comprehensive national strength, the music culture of the Chinese nation is moving towards the world in all directions through a more modern and diversified way. Guqin, known as the head of "eight notes", is an ancient and mysterious instrument. It not only bears three thousand years of history and culture of our country, but also is endowed with a musical art function of enlightening people. The Guqin music of China is the representative of literati music, which is the essence of Chinese traditional music. Ancient literati love Guqin, they express their inner feelings and think that Guqin has the function of "nourishing heart". In recent years, with the successful application of Guqin intangible cultural heritage, more and more people begin to pay attention to Guqin, and hope to relax the mind and relieve the pressure through learning and listening. However, with the development of the times, the art of Guqin is more and more apart from the ideological and emotional ties of the broad masses of the people, and there is no more appropriate content for modern people. In the music exchange between China and the West, Guqin has always been confined to the "other" image of "exotic" in the other side's cultural vision. In this increasingly global world, if Guqin music wants to develop more rapidly, it must express the ancient rhyme in the new voice and catch up with the tradition in the future. On the basis of previous studies, this paper selected some representative guqin songs for experimental test. Combined with the experimental test results and theoretical research, this paper discusses the recognition of Guqin music emotion between Chinese and Western college students, and draws the following conclusions: 1, most of the Chinese and western college students only exist the difference in the degree of the Guqin music emotion recognition. There is a small difference in type. When Chinese and Western subjects recognize Guqin music emotions, the positive emotions expressed in the tracks can be easily recognized. The data deviations of the two types of subjects in identifying the emotion of Guqin music were the smallest in the track with strong positive emotion, followed by the middle emotional track, and the biggest deviation was in the strong track of negative emotion. 2. Speed has great influence on emotion recognition of Chinese and western college students. The higher the music area, the brighter the emotion color recognized, and the smaller the emotional deviation between the two types of subjects, the faster the music speed, the brighter the emotion color recognized, and the smaller the emotion deviation recognized by the two types of subjects. The influence of the music area on emotion recognition was less significant than that of speed.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.31
本文编号：2326231
[Abstract]:The music culture of the Chinese nation has never stopped the communication and dissemination since its origin (far from the Qin Dynasty to the Ming and Qing dynasties), and has been rich and more diversified in the process of blending. From time to time, with the opening of the country and the increasing of the comprehensive national strength, the music culture of the Chinese nation is moving towards the world in all directions through a more modern and diversified way. Guqin, known as the head of "eight notes", is an ancient and mysterious instrument. It not only bears three thousand years of history and culture of our country, but also is endowed with a musical art function of enlightening people. The Guqin music of China is the representative of literati music, which is the essence of Chinese traditional music. Ancient literati love Guqin, they express their inner feelings and think that Guqin has the function of "nourishing heart". In recent years, with the successful application of Guqin intangible cultural heritage, more and more people begin to pay attention to Guqin, and hope to relax the mind and relieve the pressure through learning and listening. However, with the development of the times, the art of Guqin is more and more apart from the ideological and emotional ties of the broad masses of the people, and there is no more appropriate content for modern people. In the music exchange between China and the West, Guqin has always been confined to the "other" image of "exotic" in the other side's cultural vision. In this increasingly global world, if Guqin music wants to develop more rapidly, it must express the ancient rhyme in the new voice and catch up with the tradition in the future. On the basis of previous studies, this paper selected some representative guqin songs for experimental test. Combined with the experimental test results and theoretical research, this paper discusses the recognition of Guqin music emotion between Chinese and Western college students, and draws the following conclusions: 1, most of the Chinese and western college students only exist the difference in the degree of the Guqin music emotion recognition. There is a small difference in type. When Chinese and Western subjects recognize Guqin music emotions, the positive emotions expressed in the tracks can be easily recognized. The data deviations of the two types of subjects in identifying the emotion of Guqin music were the smallest in the track with strong positive emotion, followed by the middle emotional track, and the biggest deviation was in the strong track of negative emotion. 2. Speed has great influence on emotion recognition of Chinese and western college students. The higher the music area, the brighter the emotion color recognized, and the smaller the emotional deviation between the two types of subjects, the faster the music speed, the brighter the emotion color recognized, and the smaller the emotion deviation recognized by the two types of subjects. The influence of the music area on emotion recognition was less significant than that of speed.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.31
【参考文献】
相关期刊论文 前1条
1 孙亚楠;刘源;南云;;音乐对情绪的影响及其脑机制的相关研究[J];自然科学进展;2009年01期
，本文编号：2326231
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