文化与音乐的边界:对西方民族音乐学的一种界定
发布时间：2018-11-17 15:28
【摘要】：正西方民族音乐学学科自创建以来,一直处于不断发展与探索之中,从19世纪80年代艾德勒(G.Adle)r的比较音乐学到20世纪50年代梅里亚姆(Alan.P.Merriam)的音乐人类学,其经历了长达100年的理论与实践过程,同时也经历了欧洲殖民主义兴起和扩张的整个过程,"西方音乐中心论"的文化偏见深刻地植入了幼嫩的西方民族音乐学学科之中。20世纪初,所谓"美国学派"的民族音乐学学家们提倡从文化背景中去研究非欧洲地区及其各民族的音
[Abstract]:Since its establishment, the subject of ethomusicology in the West has been under continuous development and exploration, from G.Adle 's comparative musicology in the 1880s to Alan.P.Merriam 's musical anthropology in the 1950s. It has gone through a 100-year process of theory and practice, as well as the whole process of the rise and expansion of colonialism in Europe. The cultural prejudice of "Western Musical Center" is deeply embedded in the young western ethnomusicology. At the beginning of the 20th century, Ethomusicists of the so-called "American School" advocate studying the sounds of non-European regions and their peoples from a cultural background
【作者单位】： 湖南科技大学艺术学院;
【分类号】：J607
[Abstract]:Since its establishment, the subject of ethomusicology in the West has been under continuous development and exploration, from G.Adle 's comparative musicology in the 1880s to Alan.P.Merriam 's musical anthropology in the 1950s. It has gone through a 100-year process of theory and practice, as well as the whole process of the rise and expansion of colonialism in Europe. The cultural prejudice of "Western Musical Center" is deeply embedded in the young western ethnomusicology. At the beginning of the 20th century, Ethomusicists of the so-called "American School" advocate studying the sounds of non-European regions and their peoples from a cultural background
【作者单位】： 湖南科技大学艺术学院;
【分类号】：J607
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