论《彝族舞曲》的艺术特色及演奏技法创新
发布时间：2018-11-18 12:22
【摘要】：20世纪60年代,我国琵琶音乐作品的创作进入了一个鼎盛发展时期,作曲家们积极吸收现代作曲的创作手法,创作出了一批既有传统音乐文化内涵又富有现代音乐语言特色的优秀作品。王惠然先生创作的《彝族舞曲》就是这一时期的代表作。作品以民间音乐素材为基础、积极融合传统和现代创作手法,在作品结构和演奏技法等方面积极的探索与创新,本文将从创作背景、艺术表现及演奏技法上对乐曲进行论述。
[Abstract]:In the 1960s, the creation of Chinese pipa music works entered a period of flourishing development, and composers actively absorbed the creative techniques of modern composition. Has created a batch of outstanding works which both traditional music culture connotation and the modern music language characteristic. The Yi Dance by Mr. Wang Huiran is the representative work of this period. The works are based on folk music materials, actively integrate traditional and modern creative techniques, and actively explore and innovate in the structure of works and performance techniques. This article will discuss the music from the background of creation, artistic expression and playing techniques.
【作者单位】： 南京晓庄学院音乐学院;
【分类号】：J632.33
[Abstract]:In the 1960s, the creation of Chinese pipa music works entered a period of flourishing development, and composers actively absorbed the creative techniques of modern composition. Has created a batch of outstanding works which both traditional music culture connotation and the modern music language characteristic. The Yi Dance by Mr. Wang Huiran is the representative work of this period. The works are based on folk music materials, actively integrate traditional and modern creative techniques, and actively explore and innovate in the structure of works and performance techniques. This article will discuss the music from the background of creation, artistic expression and playing techniques.
【作者单位】： 南京晓庄学院音乐学院;
【分类号】：J632.33
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1 吴柔;《彝族舞曲》[J];人民音乐;1963年12期
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