当前位置:主页 > 文艺论文 > 音乐艺术论文 >

论肖邦f小调幻想曲中的歌唱性旋律

发布时间:2018-11-28 21:17
【摘要】:弗里德里克·弗朗索瓦·肖邦,19世纪西方音乐史上一位杰出的作曲家,钢琴家,被誉为“钢琴诗人”,他一生的音乐创作几乎都是钢琴作品。也正是通过这些作品的创作,使得浪漫主义时期钢琴音乐表现手法得到了进一步的丰富与发展。在肖邦钢琴作品中最为突出的特点之一是用钢琴展现出极具歌唱性的旋律。肖邦的钢琴创作早期受到波兰民间音乐的影响,后期则是受到意大利歌剧的启发,他在进行力度层次把握与乐句松弛控制的过程中,让钢琴强烈地呈现出与人的呼吸相同的歌唱天赋。也就是说,将声乐性的旋律灵活地向器乐性的旋律转换,从而形成一种独特的艺术风格。本文着重对肖邦“f小调幻想曲”中旋律所表现的歌唱性来进行研究。首先通过对肖邦传奇一生及创作经历的研究,阐明其“歌唱性旋律”产生的历史背景以及多种艺术风格对其创作的影响。其次,对f小调幻想曲的背景及其结构进行简要介绍与分析。第三,结合“f小调幻想曲”创作的时代背景,对“歌唱性旋律”产生原因进行探究,同时对比分析贝里尼歌剧音乐对肖邦钢琴作品创作的影响。第四,结合自己的切身演奏体会和心得,从音乐的层次处理、连奏触键技术、以及踏板的运用等方面,详细论述如何从技术层面演奏出“歌唱性旋律”。作者希望通过本文的研究,可以为更多的演奏者提供分析和演奏肖邦钢琴作品中“歌唱性旋律”切实可行的方法与帮助,同时也对我们当代的音乐创作起到一定启迪和借鉴的作用。
[Abstract]:Frederick Francois Chopin, an outstanding composer and pianist in the history of western music in the 19th century, is known as the "piano poet". It is through the creation of these works that the Romantic period piano music expression techniques have been further enriched and developed. One of the most outstanding features of Chopin's piano works is the singing melody of piano. Chopin's piano creation was influenced by Polish folk music in the early stage and inspired by Italian opera in the later period. Let the piano strongly show the same singing talent as man's breath. That is to say, the melodies of vocal music are converted flexibly to instrumental melodies, thus forming a unique artistic style. This paper focuses on the singing performance of Chopin's Fantasia in f minor. Firstly, through the study of Chopin's life and creation experience, the historical background of Chopin's "singing melody" and the influence of various artistic styles on his creation are expounded. Secondly, the background and structure of Fantasia in F minor are briefly introduced and analyzed. Thirdly, combining with the background of the creation of Fantasia in F minor, this paper probes into the causes of "singing melody", and analyzes the influence of Bellini opera music on Chopin's piano works creation. Fourth, according to his own experience and experience, from the level of music processing, the technology of playing the key, as well as the use of pedal, and so on, discusses in detail how to play the "singing melody" from the technical level. The author hopes that through the research in this paper, the author can provide practical methods and help for more players to analyze and play the "singing melody" in Chopin's piano works. At the same time, we also play a role in contemporary music creation enlightenment and reference.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J624.1

【参考文献】

相关期刊论文 前3条

1 高琳;;浅析肖邦f小调幻想曲作品第49号[J];大众文艺;2013年03期

2 谭t,

本文编号:2364272


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinlelunwen/2364272.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户2c4da***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com