扬琴曲《林冲夜奔》的创作特点及演奏分析
发布时间：2019-01-09 19:05
【摘要】：扬琴自明末清初时期由东亚地区流传至中国,历经多年的改良与创新,已经成为中国民族乐器中最为重要的乐器之一。《林冲夜奔》这首扬琴独奏作品由我国著名扬琴演奏家、作曲家、教育家项祖华先生于20世纪80年代初创作完成的。这是一首内容十分具象化的器乐曲,该乐曲以《水浒传》中林冲逼上梁山的故事为创作背景,提取了昆曲《宝剑记·夜奔》中的音乐元素作为创作素材。在曲式结构上,采用了复三部曲式与标题音乐相结合的方法,打破了民族器乐曲传统的创作结构形式。为了更加形象的表达音乐主题,在音乐的创作中融入了滑抹、摇拨、摘音、双音头琴竹、反竹等扬琴技巧,并成功地刻画出林冲的音乐艺术形象。本文立足于该作品的创作特点、技巧演奏及情感表现等方面的分析,探究其独特的创作特征和音乐表现方法,并基于前人的研究成果,将扬琴作品与昆曲音乐相结合,在乐曲的创作特点及演奏技巧上进行分析和研究。
[Abstract]:The yangqin has been spread from East Asia to China since the late Ming and early Qing dynasties. After many years of improvement and innovation, it has become one of the most important musical instruments in China. The composer and educator, Mr. Xiang Zuhua, was created in the early 1980's. This is a very concrete instrumental music. The music is based on the story of Lin Chong on the Liangshan Mountain in Water margin, and extracts the musical elements from Kunqu Opera. In the structure of musical form, the method of combination of complex trilogy and title music is adopted, which breaks the traditional creative structure of national instrumental music. In order to express the theme of music more vividly, the techniques of gliding, shaking, plucking, twin-head, anti-bamboo and so on are incorporated into the creation of music, and Lin Chong's artistic image of music is successfully depicted. Based on the analysis of the creative characteristics, skill playing and emotional expression of this work, this paper probes into its unique creative features and musical expression methods, and combines its works with Kunqu music based on the previous research results. In the composition of the characteristics and playing skills of the analysis and research.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51
本文编号：2405982
[Abstract]:The yangqin has been spread from East Asia to China since the late Ming and early Qing dynasties. After many years of improvement and innovation, it has become one of the most important musical instruments in China. The composer and educator, Mr. Xiang Zuhua, was created in the early 1980's. This is a very concrete instrumental music. The music is based on the story of Lin Chong on the Liangshan Mountain in Water margin, and extracts the musical elements from Kunqu Opera. In the structure of musical form, the method of combination of complex trilogy and title music is adopted, which breaks the traditional creative structure of national instrumental music. In order to express the theme of music more vividly, the techniques of gliding, shaking, plucking, twin-head, anti-bamboo and so on are incorporated into the creation of music, and Lin Chong's artistic image of music is successfully depicted. Based on the analysis of the creative characteristics, skill playing and emotional expression of this work, this paper probes into its unique creative features and musical expression methods, and combines its works with Kunqu music based on the previous research results. In the composition of the characteristics and playing skills of the analysis and research.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.51
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