从比较艺术学的视域下审视音乐与绘画的共性
发布时间：2019-01-10 11:01
【摘要】：在当下世界文化碰撞、交流和融汇的语境中,比较艺术学这门学科在全球化的进程中显示出它的强势走向。该论文的写作是基于博士论文的基础上将音乐和美术这两个载体的对比研究变得更为具体化,从作品的分析中寻求两种艺术形式的共性。由于音、画两种艺术形式采用的物质元素有所差异,使人们在理念上形成一种固定的概念——绘画是空间艺术,而音乐是时间艺术。然而音与画的共性通过心理的联觉作用是可以相互转换和渗透的。本文在梳理前人关于该课题研究成果的基础上,提出了运用跨文化、跨学科的研究方法,发觉音乐和绘画之间的内在联系和隐含在其间浓郁的民族风格和民族特色,最终通过音乐中的"色"与绘画中的"色"互为交融,从相应的作品中找出两者间的共性和互通性。
[Abstract]:In the context of cultural collision, communication and fusion in the present world, the subject of comparative art shows its strong trend in the process of globalization. The writing of this thesis is based on the doctoral thesis, which makes the comparative study of music and fine arts more concrete, and seeks the commonness of the two artistic forms from the analysis of the works. Because of the difference of the material elements used in the two artistic forms of painting, people have formed a fixed concept in concept: painting is the art of space, and music is the art of time. However, the commonness of sound and painting can be transformed and permeated by psychological synesthesia. On the basis of combing the previous research achievements on this subject, this paper puts forward the cross-cultural and interdisciplinary research methods, and finds out the internal relationship between music and painting and the rich national style and national characteristics hidden in it. Finally, through the combination of "color" in music and "color" in painting, the commonness and interoperability between them are found out from the corresponding works.
【作者单位】： 玉林师范学院;
【分类号】：J60-05
本文编号：2406229
[Abstract]:In the context of cultural collision, communication and fusion in the present world, the subject of comparative art shows its strong trend in the process of globalization. The writing of this thesis is based on the doctoral thesis, which makes the comparative study of music and fine arts more concrete, and seeks the commonness of the two artistic forms from the analysis of the works. Because of the difference of the material elements used in the two artistic forms of painting, people have formed a fixed concept in concept: painting is the art of space, and music is the art of time. However, the commonness of sound and painting can be transformed and permeated by psychological synesthesia. On the basis of combing the previous research achievements on this subject, this paper puts forward the cross-cultural and interdisciplinary research methods, and finds out the internal relationship between music and painting and the rich national style and national characteristics hidden in it. Finally, through the combination of "color" in music and "color" in painting, the commonness and interoperability between them are found out from the corresponding works.
【作者单位】： 玉林师范学院;
【分类号】：J60-05
【参考文献】
相关期刊论文 前2条
1 丁昕春;;论音乐与绘画在“色彩”上的共通性[J];音乐创作;2013年01期
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【共引文献】
相关期刊论文 前4条
1 马丽;;从比较艺术学的视域下审视音乐与绘画的共性[J];音乐创作;2017年07期
2 王丽;;小学音乐欣赏课教学设计实践研究[J];科学中国人;2016年35期
3 冯彤彤;;基于音画教学法的农村小学音乐教学研究[J];湖北师范学院学报(哲学社会科学版);2015年04期
4 赵晰;;音乐艺术在美育中的功能[J];大舞台;2013年06期
【二级参考文献】
相关期刊论文 前1条
1 钱仁康;音乐的内容和形式[J];音乐研究;1983年01期
，本文编号：2406229
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