普罗科菲耶夫钢琴协奏曲中的华彩段研究
发布时间：2019-02-22 06:54
【摘要】：作为协奏曲体裁中展示独奏乐器性能与技巧的“华彩段”(古典时期常称'华彩尾奏'或'装饰奏')在浪漫主义时期已经不仅仅是尾声进入之前拉长属功能的“附加成分”,在作曲家的精心设计之下,其不但代表了曲式的阶段,也使结构内部的功能发生变化。文章旨在对普罗科菲耶夫钢琴协奏曲中华彩段(Cadeunza)的特征进行分析解读,以为进一步演奏提供一定的参考。
[Abstract]:As a kind of concerto genre showing the performance and skills of solo instruments, the "flashy section" (often referred to as "finale" or "ornament" in the classical period) was not only an "additional element" of the function of stretching the function before the end of the Romantic period. Under the composer's careful design, it not only represents the stage of the form, but also changes the function inside the structure. The purpose of this paper is to analyze and interpret the characteristics of (Cadeunza) in Prokofyev Piano Concerto in order to provide some reference for further performance.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2427935
[Abstract]:As a kind of concerto genre showing the performance and skills of solo instruments, the "flashy section" (often referred to as "finale" or "ornament" in the classical period) was not only an "additional element" of the function of stretching the function before the end of the Romantic period. Under the composer's careful design, it not only represents the stage of the form, but also changes the function inside the structure. The purpose of this paper is to analyze and interpret the characteristics of (Cadeunza) in Prokofyev Piano Concerto in order to provide some reference for further performance.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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