施尼特凯《安魂曲》对莫扎特《安魂曲》的沿袭与创新
发布时间：2019-03-05 16:53
【摘要】：“安魂曲”在西方音乐历史中属于一种特殊的宗教体裁,随着时代的变迁,这一体裁也在各个时代的作曲家手中不断发展并逐步完善、创新。本文以当代俄罗斯著名作曲家施尼特凯的《安魂曲》为研究主体,作为施尼特凯在“复风格”探索期的代表作之一,这部作品包含了作曲家大量的精湛技法和创作特色,笔者在本文中主要通过“该作品中在哪些方面沿袭了莫扎特《安魂曲》的创作手法”和“作品本身的创新特色”这两个方面来进行探究。第一章从“宗教”、“仪式”、“音乐”、“历史地位”这四个方面以一个整体的角度对这部作品进行概观,探究这部《安魂曲》在各个方面的基本特征。第二章首先陈述了选取莫扎特《安魂曲》的理由,再对莫扎特的这部《安魂曲》进行“主要特点”方面的分析,最后来看莫扎特《安魂曲》中的元素在施尼特凯《安魂曲》中的体现。第三章则回到作曲家本人在这部《安魂曲》中所使用的创新特色的探究。首先,笔者解释了“创新”这一用词的时代概念,紧接着选取了五部处于莫扎特到施尼特凯中间时代的较为著名的《安魂曲》,回顾这两位作曲家之间的“安魂曲历程”,最后通过“和声”、“复调”、“音色-音响”和“复风格”这四个方面来分析施尼特凯在这部《安魂曲》中的创新之处。
[Abstract]:"Requiem" belongs to a special religious genre in the history of western music. With the change of the times, this genre has been continuously developed and gradually perfected and innovated in the hands of composers of various times. This paper takes the Requiem by the famous Russian composer Schnitke as the main research subject, and as one of the representative works of Schnitke in the exploration period of "complex style", this work contains a great deal of skillful techniques and creative characteristics of composers. In this paper, the author mainly explores the following two aspects: "which aspects of the works follow Mozart's creation of Requiem" and "the creative features of the work itself". The first chapter makes an overview of the work from four aspects: religion, rituals, music and historical status, and probes into the basic features of the Requiem in all aspects. The second chapter first states the reasons for choosing Mozart's Requiem, and then analyzes the main characteristics of Mozart's Requiem. Finally, the elements of Mozart's Requiem are reflected in Schnitke's Requiem. The third chapter goes back to the exploration of the creative features used by the composer himself in the Requiem. First of all, the author explains the concept of "innovation", and then selects five famous Requiem between Mozart and Schnitke, and reviews the course of Requiem between the two composers. Finally, this paper analyzes Schnitke's innovation in the Requiem from four aspects: harmony, polyphony, timbre-sound and complex style, which are the four aspects of "Harmony", "polyphony", "tone-sound" and "complex style".
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J614
[Abstract]:"Requiem" belongs to a special religious genre in the history of western music. With the change of the times, this genre has been continuously developed and gradually perfected and innovated in the hands of composers of various times. This paper takes the Requiem by the famous Russian composer Schnitke as the main research subject, and as one of the representative works of Schnitke in the exploration period of "complex style", this work contains a great deal of skillful techniques and creative characteristics of composers. In this paper, the author mainly explores the following two aspects: "which aspects of the works follow Mozart's creation of Requiem" and "the creative features of the work itself". The first chapter makes an overview of the work from four aspects: religion, rituals, music and historical status, and probes into the basic features of the Requiem in all aspects. The second chapter first states the reasons for choosing Mozart's Requiem, and then analyzes the main characteristics of Mozart's Requiem. Finally, the elements of Mozart's Requiem are reflected in Schnitke's Requiem. The third chapter goes back to the exploration of the creative features used by the composer himself in the Requiem. First of all, the author explains the concept of "innovation", and then selects five famous Requiem between Mozart and Schnitke, and reviews the course of Requiem between the two composers. Finally, this paper analyzes Schnitke's innovation in the Requiem from four aspects: harmony, polyphony, timbre-sound and complex style, which are the four aspects of "Harmony", "polyphony", "tone-sound" and "complex style".
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J614
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