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卡契尼《新音乐》中两首咏叹调研究

发布时间:2019-04-30 18:15
【摘要】:朱里欧-卡契尼(Giolio Caccini,1551-1618)是巴洛克前期的作曲家,以《新音乐》曲集及其声乐理论在西方音乐史上流传至今,《阿玛莉莉》更是不朽的名曲。本文主要研究卡契尼的咏叹调,根据巴洛克诗歌的风格进行分类,选取两首咏叹调进行探究,分别是《听啊,听啊,爱信们》和《美丽的紫红玫瑰》全文分为三章,首先探讨作曲家的生平事迹以及音乐的创新之处,并进一步解释卡契尼《新音乐》中序论的声乐理论,包括他对声乐的见解以及演唱的方法。之后本人根据《新音乐》咏叹调里面的诗词作者进行分类,根据意大利诗歌的基本格律,做出这两首歌的诠释。
[Abstract]:Giolio Caccini,1551-1618 is the early composer of Baroque. The works of "New Music" and his theory of vocal music have been circulating in the history of western music until now, and "Amari Lily" is an immortal song. This article mainly studies the arias of Kachini, classifies them according to the style of Baroque poetry, and chooses two arias to explore, that is, "listen, Love," and "Beautiful Purple and Red Rose", which are divided into three chapters: "listen, Love" and "Beautiful Purple and Red Rose" are divided into three chapters. First of all, the author discusses the composer's life story and the innovation of music, and further explains the vocal music theory of the preface in Kacini's New Music, including his opinion on vocal music and the method of singing. After that, I classify the poems according to the aria of New Music, and make the interpretation of these two songs according to the basic rules of Italian poetry.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J605

【参考文献】

相关期刊论文 前1条

1 李芙;略瞥欧洲声乐教育史及其引发的若干思考[J];乐府新声(沈阳音乐学院学报);2003年02期



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