当前位置:主页 > 文艺论文 > 音乐艺术论文 >

爵士拟声演唱与乐器结合演奏相结合的技术特征初探

发布时间:2019-05-27 09:27
【摘要】:随着声乐艺术在世界各地不断地发展,先锋艺术家们不断地尝试与创新,出现了一种新的艺术形式:拟声演唱,这一艺术形式指的是将人声脱离歌词与固定的旋律,彻底作为一种"乐器",或作为一种实验性的、有变化的音色来模仿自然界的各种声音。这种人声器乐化思维的歌唱形式最早的雏形之一是出现在欧洲古典主义作曲家莫扎特的民族叙事歌剧《魔笛》的"夜后咏叹调"中,人声被用作器乐来模仿夜莺。20世纪欧洲的"新人声主义音乐"、蒙古的"呼麦艺术"、"长调音乐"以及爵士音乐中的"拟声即兴(Scatsinging)"等都分享着"模仿器乐"这一相同理念。本文将以拟声演唱中的爵士拟声演唱为研究对象,研究爵士音乐表演中爵士拟声演唱(Scat singing)的由来及其基本规则。爵士拟声演唱不同于其他拟声演唱,它彻底脱离"确定写好的乐谱",并结合爵士器乐音乐演奏和声理论、即兴方式等进行现场表演。通过3年爵士专业研究生学习期间的实践与学习,借鉴对比当代著名爵士 声演唱家不同的演唱特质,讨论爵士拟声演唱中如何模仿不同器乐演奏及如何进行爵士拟声即兴演唱的一般方式及演唱技巧,笔者将提出演唱与演奏相互结合的思维来让中国的爵士歌手初步接触将爵士拟声演唱技巧,并希望能将爵士拟声演唱真正落地于中国。
[Abstract]:With the continuous development of vocal music art all over the world, avant-garde artists continue to try and innovate, and a new art form has emerged: onomatopoeia singing, which refers to the separation of human voice from lyrics and fixed melodies. Mimic the sounds of nature completely as an instrument, or as an experimental, changing timbre. One of the earliest archetypes of the singing form of this kind of human voice music thinking appeared in the "after Night aria" of the national narrative opera "Phantom" by European classical composer Mozart. Voice is used as instrumental music to mimic nightingale. 20th century European "neo-humanist music", Mongolia's "Humai art", "long tune" and "onomatopoeia (Scatsinging)" in jazz all share the same idea of "imitating instrumental music". This paper will take jazz onomatopoeia singing in onomatopoeia singing as the research object, and study the origin and basic rules of jazz onomatopoeia singing (Scat singing) in jazz music performance. Jazz onomatopoeia singing is different from other onomatopoeia singing, it completely separated from "confirm the written music score", and combined with the jazz instrumental music playing harmony theory, impromptu way and so on to carry on the live performance. Through the practice and study of the graduate students majoring in jazz during their three years of study, this paper draws lessons from and compares the different singing characteristics of the famous contemporary jazz singers. This paper discusses how to imitate different instrumental music and how to perform jazz onomatopoeia impromptu singing in jazz onomatopoeia singing. The author will put forward the idea of combining singing and playing to make Chinese jazz singers come into contact with jazz onomatopoeia singing skills, and hope that jazz onomatopoeia singing can really land in China.
【学位授予单位】:上海音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J616;J62

【相似文献】

相关硕士学位论文 前1条

1 洪峥一;爵士拟声演唱与乐器结合演奏相结合的技术特征初探[D];上海音乐学院;2017年



本文编号:2486038

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/yinlelunwen/2486038.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户9195a***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com