“反扮”的异化——“阉人歌手”与“男旦”之比较
发布时间：2019-05-27 09:36
【摘要】：由于"男扮女"现象作为一种具有时代烙印,且独具特色的音乐艺术形式,都有其产生、发展的"文化基因"。文章对"阉人歌手"与中国戏曲"男旦"艺术进行比较分析,研究两者"反扮"的差异性,既是对既定历史产物的肯定,也为我们应认知历史、以史为鉴,遵循"古为今用""洋为中用"开放思想提供借鉴。
[Abstract]:As a result of the "to be a woman" of the "cultural gene", it is an era-branded and unique form of music and art. The article makes a comparative analysis of the "a singer" of the "male-denier" and the "to act as an act" art of the Chinese opera, and studies the difference between the two "To be used for the present and present", which is not only the affirmation of the established historical product, but also the cognition history, the history as a guide, and follow the "open thought" for reference.
【作者单位】： 江苏师范大学音乐学院;
【分类号】：J603;J821.2
本文编号：2486043
[Abstract]:As a result of the "to be a woman" of the "cultural gene", it is an era-branded and unique form of music and art. The article makes a comparative analysis of the "a singer" of the "male-denier" and the "to act as an act" art of the Chinese opera, and studies the difference between the two "To be used for the present and present", which is not only the affirmation of the established historical product, but also the cognition history, the history as a guide, and follow the "open thought" for reference.
【作者单位】： 江苏师范大学音乐学院;
【分类号】：J603;J821.2
【相似文献】
相关期刊论文 前6条
1 余俊;;浅谈歌曲的艺术表现[J];电影评介;2008年23期
2 石卉;;创作中技巧与表现的统一[J];艺术教育;2007年12期
3 吴非;;集体合唱的训练及其艺术表现手段探讨[J];大众文艺;2014年09期
4 王细梅;;论《黄河颂》的艺术表现[J];大众文艺;2010年06期
5 何琪;;流行音乐演唱的情感表达[J];音乐时空;2012年12期
6 易凌燕;浅谈歌曲的艺术表现[J];甘肃教育;2003年Z2期
，本文编号：2486043
本文链接：https://www.wllwen.com/wenyilunwen/yinlelunwen/2486043.html
