论两类听觉

发布时间：2018-01-04 05:23

本文关键词：论两类听觉　出处：《交响(西安音乐学院学报)》2012年02期 　论文类型：期刊论文

【摘要】：以绝对、相对两类听觉为基,深入浅出地论述其间的不同、优劣及结合。其所针对的问题,是目前国内众多音乐学习者在听觉训练上所面对的尖锐问题:即固定与相对音高听觉的训练中,前者对音乐的色彩性敏感却对调式、调性迟钝;后者对旋律线条辨认清晰却独对和声色彩模糊。而将两者结合可能是一种最佳选择。此文发前人所未论,见解独到并针对上述音乐教育之瓶颈问题,提出了相应的解决办法,虽简单但不浅陋,而且是出自亲身实践后的心得,故不失为真知灼见。
[Abstract]:The absolute, relative to the two types of hearing as the base, the article discusses the different advantages and disadvantages. Combined with the problem, is a sharp problem at present many music learners at home in the auditory training: fixed and relative pitch auditory training, the former for music color sensitive but adjustable on the latter, tonal dull; melodic lines only to identify clearly the harmonic color blurred. The two combined may be the best choice. This paper predecessors did not theory, and the unique bottleneck for music education, and puts forward the corresponding solutions, although simple but not shallow, but from a personal after the practice experience, it is still high perspicacity.

【作者单位】：中央音乐学院现代远程音乐教育学院;
【分类号】：J613.1
【正文快照】： “‘绝对听觉’(absolute pitch简称A.P)”,指在没有任何依据(指音叉或比较音高)的情况下,凭主观听觉来确定各音的准确高度。”与此相对,“相对听觉(relative pitch简称为R.P)指用标准音(la)或者音叉所做出的音波为基准,比较和记忆听辨各音的准确高度。”因为拥有A.P的耳朵在

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